《弦索十三套》胡琴古曲《合欢令》之研究

发布时间：2018-06-22 14:54

本文选题：合欢令 + 胡琴　；参考：《中央音乐学院》2014年硕士论文

【摘要】：20世纪50年代王宪臣先生所录制的胡琴古曲《合欢令》是现今所存的年代最早的弦索十三套胡琴曲的录音资料。王宪臣先生是清代恭王府所供养的门先,艺术造就可见一斑,这份录音资料对研究中国传统胡琴艺术的价值是不言而喻的。本文以《弦索十三套》胡琴古曲《合欢令》为研究对象,以王宪臣先生录制的这份胡琴曲《合欢令》的资料为依据,并与《弦索备考》中《合欢令》的工尺谱(即《合欢令》骨干谱)记载作对比,展开对此曲的研究。从乐曲的流传、现存资料、音乐本体和演奏技法的等方面作具体分析。经过分析研究后认为,20世纪50年代王宪臣先生所录制的胡琴古曲《合欢令》与《弦索备考》中所记载的胡琴古曲《合欢令》一曲属于同源。《弦索备考》中有胡琴曲《合欢令》的曲名记载却不见胡琴乐谱的记载,琵琶和三弦亦是如此,即只有工尺谱和筝谱的记载,这给我们留下了疑问和缺憾。所幸我们现存有王宪臣先生的录音资料,弥补了这块空白。我通过对《合欢令》的工尺谱记载与王宪臣先生录音资料以及对《合欢令》的音乐本体和演奏技法所进行的分析与比较研究,希望从中发现传统音乐的艺术规律与精神内涵。但二者的调高尚有出入,仍有待进一步的发现与研究。《弦索十三套》胡琴古曲《合欢令》的研究对胡琴艺术的历史无疑也是部分的填补。希望随着对本曲的研究和实践的不断展开,可以使我们对清代胡琴艺术有更多的了解,对清代文人音乐的传承与传播有更多的认知。
[Abstract]:Hu Qin's ancient music, Ala Huan Ling, recorded by Mr. Wang Xianchen in the 1950s is the earliest recording material of thirteen sets of Hu Qin songs in the modern time. Mr. Wang Xianchen is the door provided by Prince Gong鈥檚 Mansion in the Qing Dynasty, and the art can be seen. The value of this recording is self-evident to the study of Chinese traditional Hu Qin art. This paper takes the 13 sets of "string" as the research object, and based on the data recorded by Mr. Wang Xian-chen, the Hu Qin qu "Ala Huan Ling", is used as the research object, which is based on the data of the Hu Qin qu "Ala Huan order" recorded by Mr. Wang Xian-chen. And compared with the work scale spectrum (i.e. the backbone spectrum) in the preparation of string rope, the study of this song was carried out. From the music circulation, existing materials, music and playing techniques and other aspects of the specific analysis. Through the analysis and study, it is considered that the Hu Qin ancient music recorded by Mr. Wang Xianchen in the 1950s belongs to the same origin as the Hu Qin ancient song "Ala Huan order", which is recorded in the "Strings preparation for examination", and there is Hu Qin in the "Xianzao Preparedness". The title of the song "Ala order" is not recorded in the music score of Hu Qin. The pipa and the three strings are the same, that is, only the Gongqi spectrum and the Zheng spectrum record, which left us with questions and regrets. Fortunately, we now have Mr Wang Xianchen's recorded materials, to fill this gap. I hope to find out the artistic law and spiritual connotation of traditional music through the analysis and comparative study of the records of the work scale spectrum and the recording materials of Mr. Wang Xianchen, as well as the music Noumenon and the performing techniques of the Albune order. However, there are some differences between them, which still need to be further discovered and studied. The study of the ancient songs of Hu Qin, the Albizan order, is undoubtedly partly filled up in the history of Hu Qin's art. It is hoped that with the continuous development of the research and practice of this song, we can have a better understanding of the art of Hu Qin in the Qing Dynasty and more cognition of the inheritance and dissemination of the music of the literati in the Qing Dynasty.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J632.39

【参考文献】