音乐——一个不断填充新意的概念

发布时间：2018-07-04 13:37

本文选题：音乐 + 礼乐　；参考：《南京艺术学院学报(音乐与表演)》2015年02期

【摘要】：梳理我国古代文化体系和音乐术语,是重建中国音乐学的音乐学家必须要做的事。先秦文献中,"声、音、乐"有三层级序,音乐的技术成分逐渐被非音乐的社会成分所取代,最终《乐记》做出了经典诠释,成为一种强有力的分类观念影响着后代。同时先秦也出现了作为集合概念的"音乐"及"大音希声"说,此后华夏郑声、四夷胡乐、雅乐俗乐概念总体构成声、音、乐概念延展。在漫长的古代社会进程中,功能音乐与"作为文化的音乐"发生分立,音乐开始独立门户。近代中国,西方艺术音乐与作为艺术家的人及其音乐观念共同促成了20世纪以来中国音乐概念词汇的空前派生。礼乐制度造成的人性压抑,是驱使中国人挣脱礼教获得解放的基础,因此,对沉重的礼乐负担的反弹,从反面显示了单纯的意义。然而,在漫长历史中积累起大量名词和解释名词的理论,具有强大的适应性,拥有多元阐释的空间。民族音乐学的理念已经开始与本土的历史叙述结合起来并介入中国音乐文化语境的整体叙事,它展现了一幅将中国的古老学说与普世价值逐渐融合的学理景象。
[Abstract]:It is necessary for musicologists to reconstruct Chinese musicology by combing the ancient cultural system and musical terms. In the pre-Qin literature, "Sound, Sound, Music" has three levels of order. The technical components of music are gradually replaced by non-musical social elements. Finally, Le Ji makes a classic interpretation and becomes a powerful concept of classification that affects future generations. At the same time, the pre-Qin Dynasty also appeared as a collection concept of "music" and "big voice" theory, since then Chinese Zheng Sheng, four Yi Hu Yue, elegant music concept of the overall composition of the sound, music concept extension. In the long process of ancient society, functional music separated from "music as culture", and music began to be an independent portal. In modern China, western art music, together with artists and their musical ideas, has contributed to the unprecedented derivation of Chinese musical concept vocabulary since the 20th century. The suppression of human nature caused by the system of etiquette and music is the basis for the liberation of Chinese people from the ethical education. Therefore, the rebound of the heavy burden of etiquette and music shows the pure significance from the opposite side. However, in the long history, a large number of nouns and the theory of explaining nouns have strong adaptability and multiple interpretation space. The idea of ethomusicology has begun to combine with the local historical narration and intervene in the whole narrative of Chinese music cultural context. It shows a theoretical scene that combines the ancient Chinese theory with the universal value gradually.
【作者单位】：中国艺术研究院音乐研究所;
【分类号】：J609.2

【共引文献】