近现代西方声乐艺术在哈尔滨的传播与影响

发布时间：2018-07-06 10:29

本文选题：近现代 + 西方声乐艺术　；参考：《交响(西安音乐学院学报)》2011年02期

【摘要】：近现代西方声乐艺术在哈尔滨的传播,初期局限于在俄侨自身。但随着演出、教学活动开展和俄侨人数的激增,其影响力所波及的范围不断拓展,逐步开始有中国学生介入,各类声乐表演团体的实践活动和艺术影响力,使哈尔滨成为当时东北地区西方声乐艺术传播和发展的主要基地。虽然此时哈尔滨出现的西方声乐艺术,包括歌剧艺术等其他音乐表现方式,国人的参与程度有限,影响力与实际作用更多处在当时社会的上层,但作为中国近现代西方声乐艺术传入的重要渠道之一,影响力仍然不能小觑,无论其专业化程度和水平都显示了较高水准。可以肯定地说,哈尔滨的西方声乐艺术传播与发展,为20世纪之后东北地区声乐艺术的发展奠定了一个坚实的基础,为我国声乐艺术的产生和发展带来积极的促进作用。
[Abstract]:The spread of modern western vocal music art in Harbin was initially confined to the Russian overseas Chinese themselves. However, with the performance, teaching activities and the surge in the number of Russian expatriates, the scope of its influence has been continuously expanded, and Chinese students have gradually begun to intervene. The practical activities and artistic influence of various vocal performance groups are beginning to grow. Harbin became the main base for the spread and development of western vocal music in Northeast China at that time. Although the Western vocal music art that appeared in Harbin at this time, including the opera art and other musical expressions, the participation of the Chinese people was limited, and the influence and actual function were more in the upper class of the society at that time. However, as one of the important channels of Chinese modern western vocal music art, the influence can not be underestimated, no matter its degree of specialization and level has shown a high standard. It can be said with certainty that the spread and development of Western vocal music art in Harbin laid a solid foundation for the development of vocal music art in Northeast China after the 20th century and brought positive promotion to the emergence and development of vocal music art in China.
【作者单位】：宁波大学艺术学院;
【分类号】：J609.2

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