探析杜兆植作品《成陵祭》

发布时间：2018-07-06 10:40

本文选题：杜兆植 + 成陵祭　；参考：《厦门大学》2014年硕士论文

【摘要】：杜兆植是我国著名的作曲家。他从中央音乐学院作曲系毕业后,放弃了条件优越的研究所工作,毅然决然的选择来到内蒙古,不畏艰苦,扎根边疆,怀揣着对音乐的追求与梦想,将青春的热血都挥洒在了这片土地上,为推动蒙古族音乐起到了重要的作用。杜兆植先生在内蒙古生活工作了几十年,在此期间,他不仅收集了大量民歌,还创作了多部优秀的音乐作品,他的作品体裁广泛,内容丰富,民族色彩浓郁,富有强烈的感染力。交响诗作品《成陵祭》是杜兆植先生于1982年所创作的优秀作品。作曲家以成吉思汗驰骋战场那段峥嵘岁月为创作灵感,以战争与和平作为思考点,将蒙古族的文化历史与具有特色的民族风格音乐相结合的优秀交响作品。本文以杜兆植先生的交响作品《成陵祭》为研究对象,主要分为四个部分。第一部分主要论述了杜兆植先生的生平及其创作生涯的重要阶段,其中包括了杜兆植先生的成长背景、教育背景、各个创作时期的文化政治背景等等。第二部分主要介绍成吉思汗陵的历史文化背景以及祭祀文化的形成,并记录了杜兆植先生在创作过程中基于蒙古族历史文化所形成的创作观念。第三部分着重对《成陵祭》的音乐本体进行分析,在这部分中,既包括了对曲式结构、和声、配器等主要音乐本体的分析,也包括了对其艺术特色的概括。第四部分主要论述了作品所呈现的精神内涵以及风格特征,主要对音乐内涵以及风格进行了总结,反映了杜兆植先生对音乐的审美倾向。
[Abstract]:Du Zhaozhi is a famous composer in China. After graduating from the Department of composition at the Central Conservatory of Music, he gave up his research work with superior conditions, and resolutely chose to come to Inner Mongolia, not fearing hardship, taking root in the frontier, and carrying with him the pursuit and dream of music. The hot blood of youth was sprinkled on this land, which played an important role in promoting Mongolian music. Mr. du Zhaozhi lived and worked in Inner Mongolia for several decades. During this period, he not only collected a large number of folk songs, but also created a number of excellent musical works. His works are of a wide range of styles, rich in content, and rich in ethnic colors. Have a strong appeal. The symphonic poem "Chengling sacrifice" is an excellent work created by du Zhaozhi in 1982. The composer took the eventful years of Genghis Khan as the inspiration, took the war and peace as the thinking point, combined the Mongolian culture history with the characteristic national style music outstanding symphonic work. This article takes du Zhaozhi's symphonic works Chengling sacrifice as the research object, mainly divided into four parts. The first part mainly discusses the life of Mr. du Zhaozhi and the important stage of his creative career, including his growing up background, educational background, cultural and political background of each creative period and so on. The second part mainly introduces the historical and cultural background of the Genghis Khan Mausoleum and the formation of the sacrificial culture, and records the creation concept formed by du Zhaozhi based on the Mongolian history and culture in the process of his creation. The third part focuses on the music Noumenon of Chengling Festival. In this part, it not only includes the analysis of the main music ontology, such as music structure, harmony, orchestration and so on, but also includes the summary of its artistic characteristics. The fourth part mainly discusses the spiritual connotation and style features of the works, mainly summarizes the music connotation and style, reflecting du Zhaozhi's aesthetic tendency to music.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J609.2

【参考文献】