论歌剧《白毛女》的创生及其民族化风格的追求
发布时间:2018-07-12 20:21
本文选题:新歌剧 + 歌剧 ; 参考:《福建师范大学》2006年硕士论文
【摘要】:本文从新歌剧《白毛女》的创作特点入手,追寻新歌剧形成的历史缩影,探究对于中国民族歌剧在二十一世纪发展具有意义的一些东西。通过资料收集法、比较法、谱例分析法等手段,在前人研究的基础之上,追寻二十世纪上半叶新歌剧的发展概况:20世纪上半叶新歌剧的创生轨迹;中国民族歌剧创生的历史原因;中国民族歌剧主要特征及作用;从歌剧《白毛女》的创作概况探询歌剧《白毛女》的剧本来源及创作,歌剧《白毛女》的音乐创作风格;歌剧《白毛女》在音乐创作方面的民族化风格主要体现在:戏曲因素的吸收与借鉴;民歌题材与歌剧音乐形象的塑造;民族调式的广泛运用;民族特色演唱形式的贯彻与执行。 中国民族歌剧源于中国的传统戏曲,新歌剧则始于二十世纪。在经历了近百年的发展历程以后,无论在内容和形式等方面,,中国民族歌剧都日渐成熟。随着新世纪的到来,中国民族歌剧遇到了机遇和挑战,如何发展民族歌剧成为音乐人的关注目标。中国民族歌剧的成功模式给了我们许多启迪,笔者期望通过对新歌剧《白毛女》进行研究,探寻该剧在民族化风格方面的创新实践,为发展二十一世纪的中国民族歌剧提供一些可以借鉴的经验。
[Abstract]:This article, starting with the creation characteristics of the new opera "the white haired woman", seeks to trace the historical epitome of the formation of the new opera, and explores some things that have significance for the development of Chinese opera in the twenty-first Century. Through the means of data collection, comparison and analysis of examples, the first half of the first half of the Ye Xin opera in twentieth Century is pursued on the basis of previous studies. Development survey: the creation path of the first half of the Ye Xin opera in twentieth Century; the historical reasons of the creation of Chinese national opera; the main features and functions of the Chinese national opera; from the creation of the opera < Bai Mao > the opera < Bai Mao > the source and creation of the white haired woman > the musical creation style of the opera < Bai Mao >; opera < Bai Mao > in music creation. The style of nationalization is mainly reflected in the absorption and reference of the opera factors, the theme of the folk songs and the creation of the opera music image, the extensive use of national style, the implementation and implementation of the national characteristic singing form.
Chinese national opera originated from traditional Chinese opera, and the new opera began in twentieth Century. After nearly a hundred years of development, Chinese national operas have matured in both content and form. With the arrival of the new century, Chinese opera has encountered opportunities and challenges, and how to develop national operas to become musicians. The successful mode of Chinese national opera has given us a lot of enlightenment. I hope that through the study of the new opera "the white haired woman", the author seeks the innovative practice of the opera in the national style and provides some experience for the development of the Chinese national opera in twenty-first Century.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J614
【引证文献】
相关期刊论文 前2条
1 汤其林;;论芭蕾舞剧《白毛女》中喜儿的形象塑造[J];北方音乐;2011年04期
2 雷丽;;浅析中国歌剧《白毛女》音乐创作的民族化[J];太原大学教育学院学报;2012年S1期
相关硕士学位论文 前3条
1 蔡雪媛;四代白毛女扮演者演唱风格及对中国民族声乐的影响[D];河北师范大学;2011年
2 蔡诤诤;中国民族歌剧的女性主义印象[D];湖南师范大学;2011年
3 宁大光;中国民族歌剧声乐“美声化”趋势的研究与探索[D];湖南师范大学;2011年
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