20世纪中国交响音乐作品中的主题构造形态研究

发布时间：2018-08-05 13:56

【摘要】：这篇论文是关于20世纪以来中国交响音乐作品创作中的作曲技法问题的研究，主旨是对其中具有相对代表意义作品的局部——主题构造形态的诸方面，进行一种比较宽泛性的、有关作曲技术理论方面并涉及其它有关创作方面等问题的学术性探讨。论文整体的结构立论是采用“小题大做”与“大题大做”相结合的贯通方式，并通过两者之间的互补和借鉴的方法，由理论联系有关实际的曲例分析而进行独立研究而形成的。全文由导言、正文、注释、结论、赘语及附录中的参考引用的总谱文献、论文文献、书目文献征引等几个内容组成。正文是对有关文献研究的梳理与归纳；是对提出的相关论点的理论阐述及总结性的主要观点，同时也是学术性探讨的基本论证过程。其中，正文由上篇、下篇两个大部分构成，重点是下篇。论文的第一部分(上篇)是有关“主题”词义来源的各种概念考证，由四个大的方面入手，对相关音乐创作领域和其他有关学科的主题概念作了比较细致的理论性论述。同时，通过对主题构造形态方面和相关主题词义的不同现象的解释，从比较广泛的和宏观的主题思维观念上，阐明了有关“主题”理论研究的中心问题；并通过多种国内与国外文献的理论分析和比较，从世界大文化范围的角度上，对主题理论的中心含义和主导思想给予了界定；并从几种主要的“主题”理论观点上，对“主题”问题的专题性研究及目前学术上所存在的和关注的基本问题，进行了相关的解释。同时，提出了有关主题构造方面的“综合性”方式研究的相关论点——中国音乐创作中的“主题”概念等问题。另外，从整体论文构成的结构处理上，分别对主题与音乐作品内在的几个主要方面所存在着的关系问题，通过图表的直观方式，也进行了必要的理论阐述。第二部分(下篇)主要是对中国交响音乐作品中的主题构造与技法演化形态方面所作的探讨和论述。通过各类不同作品与不同主题构造形态的表现形式，论述了主题构造中，，各种不同材料的组织形态及音高、节奏等方面的具体手法的表现运用。在此基础上进一步地研究了构造中各种作曲技法的写作方法，并涉及到多种材料组织，对主题在形态的构造方面所起到的基本核心主干作用。在结合相
[Abstract]:This paper is a study on the composition techniques in the creation of Chinese symphony music works since the 20th century. The main purpose of this paper is to make a relatively broad study on the various aspects of the local thematic structure of the works of relative representative significance. The academic discussion on the technical theory of composition and other aspects of creation. The whole structure theory of the thesis is formed by the combination of "making a fuss over a mountain" and "doing a big problem", and through the method of complementation and reference between the two, which is formed by combining theory with the analysis of practical examples. The full text consists of introduction, text, notes, conclusions, redundant language and references in the appendix of the total spectrum of literature, papers, bibliographic references, and so on. The main text is a sort and induction of the relevant literature research, the theoretical elaboration and the summation of the related arguments, and the basic argumentation process of the academic discussion. Among them, the text is composed of the first part and the second part, with emphasis on the second part. The first part of the thesis (the first part) is about the "theme" word meaning origin various concepts textual research, from four big aspects, has made the detailed theory elaboration to the related music creation domain and the other related discipline theme concept. At the same time, through the explanation of the different phenomena of the subject structure form and the related theme meaning, this paper clarifies the central problem of the theoretical research of "theme" from the view of broad and macroscopic thematic thinking. Through the theoretical analysis and comparison of various domestic and foreign literature, this paper defines the central meaning and leading thought of the theme theory from the point of view of the world's large cultural scope, and from several main "thematic" theory points of view. This paper gives an explanation of the thematic research and the basic problems existing and concerned in the present academic field. At the same time, this paper puts forward some related arguments about the "comprehensive" approach to theme construction-the concept of "theme" in Chinese music creation and so on. In addition, from the structure of the whole paper, the relationship between the theme and the main aspects of the music works is discussed. The second part (part two) mainly discusses the theme structure and the evolution of techniques in Chinese symphony music works. Through various kinds of works and the expression form of different theme structure, this paper discusses the expression and application of various kinds of material's organization form, pitch, rhythm and so on in the theme structure. On this basis, the author further studies the writing methods of various composing techniques in the structure, and involves various material organizations, which play a basic role in the core backbone of the subject in the construction of the form. In combination phase
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J614

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