哈恰图良《托卡塔》之演绎解析
发布时间：2018-08-05 15:04
【摘要】：哈恰图良是苏联早期非常重要的音乐家。他所做的《托卡塔》,对托卡塔体裁形式有新的构想,和声体系也有独到之处并兼收取西亚民族音乐和拉格泰姆(Ragtime)爵士的语素,使这一古老的体裁焕发出新的朝气。在这部作于1932年的钢琴小品中,还能看到苏联30年代的爵士乐元素与民族旋律和古典技法的碰撞,是哈恰图良非常有价值的一首钢琴小品。 目前国内尚未有专门研究这部作品的相关论文。已有资料大部分为作曲家的生平及协奏曲与舞剧作品的学术论文。希望通过这篇文章的分析研究,能对今后这个作品的演奏,带来一些指导和帮助。
[Abstract]:Hachaturian was a very important musician in the early Soviet Union. His "Tokata" has a new conception of the style of Tokata, and the harmony system has its own unique features, and it also receives the West Asian folk music and the morpheme of Sir (Ragtime), which makes this ancient genre radiate new vitality. In this piano sketch written in 1932, we can also see the collision between the elements of jazz in the Soviet Union in the 1930s and the national melody and classical techniques. It is a very valuable piano sketch by Hachaturian. At present, there is no domestic research on this work related papers. Most of the literature available is the life of composers and academic papers on concertos and dance dramas. Through the analysis of this article, I hope to bring some guidance and help to the future performance of this work.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1
本文编号：2166157
[Abstract]:Hachaturian was a very important musician in the early Soviet Union. His "Tokata" has a new conception of the style of Tokata, and the harmony system has its own unique features, and it also receives the West Asian folk music and the morpheme of Sir (Ragtime), which makes this ancient genre radiate new vitality. In this piano sketch written in 1932, we can also see the collision between the elements of jazz in the Soviet Union in the 1930s and the national melody and classical techniques. It is a very valuable piano sketch by Hachaturian. At present, there is no domestic research on this work related papers. Most of the literature available is the life of composers and academic papers on concertos and dance dramas. Through the analysis of this article, I hope to bring some guidance and help to the future performance of this work.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J624.1
【参考文献】
相关期刊论文 前7条
1 杨进;;饱经风霜的民族——亚美尼亚人[J];俄罗斯中亚东欧市场;2008年06期
2 季红;;哈恰图良《第一交响曲》配器手法分析[J];歌海;2009年06期
3 葛蔚英;哈恰图良的《降D大调钢琴协奏曲》[J];钢琴艺术;2003年09期
4 夏中汤;哈恰图良的和声技法[J];音乐研究;1995年03期
5 夏中汤;哈恰图良旋律节奏的写作技法与基本特征[J];音乐研究;1996年02期
6 金荻;;说出自己的语言——简论苏联作曲家哈恰图良音乐风格[J];人民音乐;2010年12期
7 何振京;《苏联音乐史》(上册)读后[J];人民音乐;2002年03期
，本文编号：2166157
本文链接：https://www.wllwen.com/wenyilunwen/qiyueyz/2166157.html
