有关北宋徽宗代的正声与中声研究
发布时间：2018-08-06 20:56
【摘要】：在韩国音乐史中首次提到正声与中声的文献史料为《高丽史.乐志》。其中记载,正声与中声的出现始于北宋徽宗时期的大晟雅乐,原是指音高不同的两种音乐或者乐器,但韩国音乐学界所探讨的大晟雅乐正声与中声是按照钟磬(编钟和编磬)的数量(16和12)来分的,并且仅关注了有关音域方面的问题。因此,为了正确的了解有关韩国音乐史中所出现的正声与中声,文章拟对北宋徽宗时期的大晟雅乐中出现的正声与中声进行考察。
[Abstract]:In the history of Korean music, the first reference to positive and middle sound is the Korean history. Music Zhi. It is recorded that the emergence of positive and middle voices began in the period of Huizong in the Northern Song Dynasty, referring to two kinds of music or musical instruments with different pitch. However, the number of bells and chimes (16 and 12) in Korean musical circles is divided between the correct and middle tones, and only the problems in the range are concerned. Therefore, in order to understand the correct sound and the middle sound in the history of Korean music, the article intends to investigate the sound and the middle sound in the North Song Dynasty Huizong period.
【作者单位】： 韩国清州大学艺术学院表演影像学部表演艺术系;韩国东洋艺术学会;武汉华中师范大学音乐学院;
【分类号】：J609.2
本文编号：2168961
[Abstract]:In the history of Korean music, the first reference to positive and middle sound is the Korean history. Music Zhi. It is recorded that the emergence of positive and middle voices began in the period of Huizong in the Northern Song Dynasty, referring to two kinds of music or musical instruments with different pitch. However, the number of bells and chimes (16 and 12) in Korean musical circles is divided between the correct and middle tones, and only the problems in the range are concerned. Therefore, in order to understand the correct sound and the middle sound in the history of Korean music, the article intends to investigate the sound and the middle sound in the North Song Dynasty Huizong period.
【作者单位】： 韩国清州大学艺术学院表演影像学部表演艺术系;韩国东洋艺术学会;武汉华中师范大学音乐学院;
【分类号】：J609.2
【共引文献】
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1 康瑞军;宋代宫廷音乐制度研究[D];上海音乐学院;2007年
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