雷斯庇基改编拉赫玛尼诺夫五首《音画练习曲》的配器研究
发布时间：2018-08-10 18:33
【摘要】：奥托里诺·雷斯庇基(Ottorino Respighi,1879-1936)是20世纪上半叶意大利最为重要的作曲家之一。他的音乐创作既有浪漫主义的细腻情感,又有印象主义的色彩描绘,乐队音响独树一帜。同时,雷斯庇基也改编过大量的他人作品,他的创作经历可以充分的表明,雷斯庇基不仅是一位杰出的作曲家,同时也一位颇有建树的配器专家。无论是他的管弦乐作品,还是他的改编作品都是配器研究极好的典型范例。 本文以雷斯庇基改编五首拉赫玛诺夫的《音画练习曲》为研究对象,通过雷斯庇基由钢琴作品到乐队作品的改编技术和管弦乐队配器技术为研究内容,从音乐题材、曲式结构、乐队织体因素与形态、乐器分配等方面入手,研究雷斯庇基精湛的配器技术和乐队写作思维。 本文的结构分为三部分。第一部分简要的介绍拉赫玛尼诺夫和雷斯庇基的生平与创作,以及他们与《音画练习曲》之间的联系。第二部分对五首管弦乐版《音画练习曲》的改编技术和配器技术分别进行分析。第三部分是在织体改写与配器技术进行具体分析的基础上对雷斯庇基这五首配器作品的音型改写技术、混合音色特点以及用管弦乐队营造音乐气氛、刻画音乐形象等几方面进行归纳和总结。这些也正是雷斯庇基手法之鲜明,音响之丰富,配器之成功的关键所在。
[Abstract]:Ottorino Respighi (1879-1936) was one of the most important composers in Italy in the first half of the 20th century. His music creation has the romantic delicate emotion, also has the impressionism color description, the band acoustics is unique. At the same time, Respiki also adapted a large number of other works, his creative experience can fully show that Lespiki is not only an outstanding composer, but also a successful orchestration expert. Both his orchestral works and his adaptations are excellent examples of orchestration research. This paper takes the adaptation of five Rachmanov Etudes by Rispiki as the research object, through the adaptation techniques from piano works to band works and orchestral orchestration techniques, from music theme to musical structure. This paper studies Lespiki's exquisite orchestration technique and band writing thinking. The structure of this paper is divided into three parts. The first part briefly introduces the life and creation of Rachmaninov and Rispiki, as well as their relationship with Etudes. In the second part, the adaptation technology and orchestration technology of five orchestral Etudes are analyzed. The third part is based on the specific analysis of texture rewriting and orchestration technology, on the basis of the sound rewriting technology of the five orchestration works of Respiki, the mixing of timbre characteristics and the creation of musical atmosphere by orchestra. Portray the image of music and other aspects of induction and summary. These are the keys to the success of Lespique's technique, the richness of sound and the success of the orchestration.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614.4
本文编号：2175840
[Abstract]:Ottorino Respighi (1879-1936) was one of the most important composers in Italy in the first half of the 20th century. His music creation has the romantic delicate emotion, also has the impressionism color description, the band acoustics is unique. At the same time, Respiki also adapted a large number of other works, his creative experience can fully show that Lespiki is not only an outstanding composer, but also a successful orchestration expert. Both his orchestral works and his adaptations are excellent examples of orchestration research. This paper takes the adaptation of five Rachmanov Etudes by Rispiki as the research object, through the adaptation techniques from piano works to band works and orchestral orchestration techniques, from music theme to musical structure. This paper studies Lespiki's exquisite orchestration technique and band writing thinking. The structure of this paper is divided into three parts. The first part briefly introduces the life and creation of Rachmaninov and Rispiki, as well as their relationship with Etudes. In the second part, the adaptation technology and orchestration technology of five orchestral Etudes are analyzed. The third part is based on the specific analysis of texture rewriting and orchestration technology, on the basis of the sound rewriting technology of the five orchestration works of Respiki, the mixing of timbre characteristics and the creation of musical atmosphere by orchestra. Portray the image of music and other aspects of induction and summary. These are the keys to the success of Lespique's technique, the richness of sound and the success of the orchestration.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614.4
【参考文献】
相关期刊论文 前3条
1 熊晓辉;;晦涩——拉赫玛尼诺夫钢琴音画练习曲的美学追求[J];大众文艺(理论);2008年05期
2 周雪石;钢琴曲的乐队改编[J];黄钟.武汉音乐学院学报;2001年02期
3 胡越菲;;罗马幻想家雷斯庇基[J];音乐爱好者;2009年02期
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