朝鲜半岛《步虚子》的中国起源

发布时间：2018-09-02 08:10

【摘要】：《步虚子》大概是人类历史上持续时间最长、流传最广的一支乐曲。它产生在中国三国时代,于宋徽宗政和四年(1114)传入高丽,并在韩国保存至今;它也以不同形式生存在中国各地的道教音乐之中。究其起源,《步虚子》是一支从古代雅乐、方士琴歌、佛教呗赞转读、禹步、七盘舞等诸多事物中吸取艺术要素而形成的道教歌舞曲。它原来配合金丹道派的内修秘术,后经东晋葛巢甫整理,成为灵宝斋仪的重要组成部分。在南朝,它吸收了叩齿、咽液、咒祝、存思真神等上清斋仪的内容。在唐代,它讲求音诵之美,重点表现缥缈仙举的道教意境。因此,《步虚子》的生命力是同它所代表的历史积累相关的。作为道教仪式音乐的精华,它不仅具备优秀的艺术品质,而且具备鲜明的仪式品质,这使它成为"唐乐"的代表,得到朝鲜仪式的接纳,因而长存。
[Abstract]:Buxuzi is probably the longest and most widely circulated piece of music in human history. It was born in the three Kingdoms of China and was introduced to Korea in four years (1114) during the reign of Huizong in Song Dynasty, and remains in Korea until now. It also exists in various forms of Taoist music in various parts of China. According to its origin, Buxuzi is a Taoist song and dance composed of ancient elegant music, Fangshiqin song, Buddhism and so on. It was originally in line with the Jin Dan School of internal meditation, after the Eastern Jin GE Chao Fu collated, become an important part of Lingbao Zhai. In the Southern Dynasty, it absorbed tapping teeth, pharynx, mantra, memory of true God and other contents of the Zhai. In the Tang Dynasty, it stresses the beauty of sound recitation, focusing on the Taoist artistic conception of ethereal immortals. Therefore, the vitality of Buxu Zi is related to the historical accumulation it represents. As the essence of Taoist ritual music, it not only has excellent artistic quality, but also has distinct ritual quality, which makes it become the representative of "Tang Le" and is accepted by Korean ritual, so it survives for a long time.
【作者单位】：四川师范大学文学院;
【基金】：国家社会科学基金课题“《高丽史乐志》研究”(课题编号:07BZW032)成果之一
【分类号】：J609.312

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