音乐史论法新境的开拓——读国家“十五”艺术科学课题著作《巴蜀音乐》

发布时间：2018-09-03 06:49

【摘要】：《巴蜀音乐》以秦惠王九年(公元前316年)为起点,以清代光绪二年为结点,对"巴蜀音乐"史作出了以史学、民族学、人类学等综合方法在音乐学标帜下的考论;对古濮族留下的青城山洞经音乐、攀枝花里濮谈经古乐间的递承关系,进行了梳理;以唐代"南昭乐"为背景深入展开了东南亚诸民族音乐迁徙融汇的跨文化探究;在古籍研究文本的基础上推论了唐代音乐旋宫转调形态,并进行深入剖析。另对唐巴蜀古琴、唐宋说唱"唱赚"与民族群体文化的发生和传播作了人类学视野的考证。最为着力的章节是突破了文论本体秦惠王九年史论时序的"三星堆遗址"阐述,对三星堆铜铃音乐声学性能的意义进行阐述,并带来巴蜀文明来自长江文明源头论法的新境。
[Abstract]:"Bashu Music" takes 9 years of Qin Hui-Wang (316 BC) as the starting point and Guang Xu of the Qing Dynasty as the node, and makes a textual research on the history of "Bashu Music" with the comprehensive methods of historiography, ethnology, anthropology and other comprehensive methods under the symbol of musicology. This paper combs the relationship between the ancient music of Qingchengshan cave left by the ancient Pu nationality and the ancient music of the Panzhihua Lipu, and carries out the cross-cultural exploration of the music migration and fusion of the Southeast Asian nationalities in the background of the Tang Dynasty "Nanzhao Le". On the basis of the study text of ancient books, this paper deduces the changing form of Tang Dynasty music rotation palace, and deeply analyzes it. In addition, it makes an anthropological research on Tang Bashu Guqin, Tang and Song rap "singing earning" and the occurrence and spread of ethnic group culture. The most important chapter is to break through the "Sanxingdui site" of the Noumenon Qin Huiwang's nine-year historical theory, to expound the significance of the acoustic performance of Sanxingdui's bronze bell music, and to bring the new realm of the Bashu civilization from the source theory of the Yangtze River civilization.
【作者单位】：西南民族大学艺术学院;西南民族大学图书馆;
【基金】：全国艺术科学“十五”规划国家西部课题“巴蜀音乐”(05ID159)的课题著作结项鉴定报告
【分类号】：J609.2

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