两个《普庵咒》经典传谱演奏比较分析
发布时间：2018-09-04 10:09
【摘要】：《普庵咒》原是一首佛教咒语,为南宋禅师普庵所作。世人称之为《释谈章》。本文以《华氏谱》与《李氏谱》为据本，对同名乐曲《普庵咒》进行分析比较。 本文的引言中，，对《华氏谱》与《李氏谱》做了简要介绍，对乐曲《普庵咒》的历史渊源、在其他乐器中存在的状况等进行梳理归纳，以及总结前人的研究成果。第一章从音乐形态、音乐内容逐段分析乐曲，得出两首乐曲在曲式结构、调性、及三个乐段的旋律等方面相同点；在其他乐段中旋律、演奏技法等方面不同点；第二章从演奏的角度，结合《华氏谱》与《李氏谱》的成谱年代，以及当时的琵琶演奏发展状况，分析乐曲在演奏技法上的相同点与不同点。
[Abstract]:Puan mantra was originally a Buddhist mantra written by Zen Master Puan in the Southern Song Dynasty. The world calls it "the interpretation of the chapter". Based on "Fahrenheit" and "Li's Spectrum", this paper analyzes and compares the music of the same name "Puan mantra". In the introduction of this paper, the Fahrenheit spectrum and the Li spectrum are briefly introduced, the historical origin of the music "Puan mantra", the existing situation in other musical instruments are summarized, and the previous research results are summarized. The first chapter analyzes the music from the music form, the music content paragraph by paragraph, obtains the two music in the form structure, the tonality, as well as the three sections melody and so on aspect similarities and so on, in the other music passage melody, the performance technique and so on aspect difference point; The second chapter analyzes the similarities and differences of the performance techniques from the point of view of playing, combining the composing age of Fahrenheit and Li's spectrum, and the development of pipa playing at that time.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J632.33
本文编号：2221773
[Abstract]:Puan mantra was originally a Buddhist mantra written by Zen Master Puan in the Southern Song Dynasty. The world calls it "the interpretation of the chapter". Based on "Fahrenheit" and "Li's Spectrum", this paper analyzes and compares the music of the same name "Puan mantra". In the introduction of this paper, the Fahrenheit spectrum and the Li spectrum are briefly introduced, the historical origin of the music "Puan mantra", the existing situation in other musical instruments are summarized, and the previous research results are summarized. The first chapter analyzes the music from the music form, the music content paragraph by paragraph, obtains the two music in the form structure, the tonality, as well as the three sections melody and so on aspect similarities and so on, in the other music passage melody, the performance technique and so on aspect difference point; The second chapter analyzes the similarities and differences of the performance techniques from the point of view of playing, combining the composing age of Fahrenheit and Li's spectrum, and the development of pipa playing at that time.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J632.33
【参考文献】
相关期刊论文 前1条
1 钱铁民;李芳园的琵琶艺术[J];音乐研究;1986年04期
本文编号：2221773
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