人类学视野下阿坝羌族婚俗仪式中的唱词

发布时间：2018-09-03 19:26

【摘要】：羌族在漫长的历史演进过程中,一直和汉、藏以及北方游牧民族政权处于融合与分裂的演变过程之中,在文化上,羌族则表现为由汉至藏或由藏至汉的过渡现象。羌族人处于"边缘"的地位并不是封闭的或边缘化的,而是与汉"中心"和藏"中心"不断交流与融合的动态过程。羌族社会对歌唱艺术的表达维度是很多的,羌族人的婚姻多由家长出面拜托媒人来为婚事说合,婚礼唱词表达了羌族婚礼仪式对不同结构之间相互碰撞的文化处理技术,反映出婚礼的细节,较完整地展示了羌族婚礼的文化逻辑。
[Abstract]:In the long historical evolution process, Qiang nationality has been in the process of fusion and division with Han, Tibetan and northern nomadic regimes. In culture, the Qiang nationality shows the transition from Han to Tibet or from Tibet to Han. The status of the Qiang people in the "edge" is not closed or marginalized, but the dynamic process of continuous communication and integration with the Han "center" and the Tibetan "center". There are many dimensions of expression of singing art in Qiang society. Most marriages of Qiang people come forward by parents to ask matchmakers to say the same thing for marriage. Wedding lyrics express the cultural processing techniques of Qiang wedding ceremonies that collide with each other on different structures. Reflects the details of the wedding, a more complete display of the Qiang wedding cultural logic.
【作者单位】：西南交通大学艺术与传播学院;
【分类号】：J607

【共引文献】