声乐钢琴伴奏中的和声应用研究

发布时间：2018-09-06 16:32

【摘要】：声乐钢琴伴奏是钢琴演奏艺术的一个重要组成部分，是一门集钢琴演奏，和声，曲式等音乐理论知识以及演奏者自身修养为一体的综合表演艺术。无论是职业的文艺演出，，还是专业的音乐教育，声乐钢琴伴奏都以其特有的地位和重要的作用而被人们重视。从当前的社会需求来看，专业的钢琴伴奏人才仍然紧缺。现有的专业伴奏人员中，大多都具备很强的正谱演奏能力。由于对和声等理论知识的欠缺，他们的的即兴伴奏总是在和声进行、织体选用、作品风格的把握等方面出现一些“瑕疵”。和声是一门基础性的理论课程，是每个学习音乐的人通往更高楼阁的必经之道。在传统教学模式中，由于注重四部和声的写作练习，以此要求学生熟练掌握和弦连接的各种规律和技巧，而很少对和声的实际运用做出讲述，这就导致很多学生做书面练习没有问题，但是实际运用时却遇到很多麻烦。此论文针对以上现象，以声乐钢琴伴奏为切入点，综合使用分析、归纳、总结等方法对和声与伴奏的关系、和声在声乐钢琴伴奏中的地位和作用及其在声乐钢琴伴奏中的具体应用等方面进行了较详细的论述。力求将和声与声乐钢琴伴奏相结合，为想学好，弹好钢琴伴奏的朋友提供一种借鉴，同时更期望本论文对传统和声教学模式有所启示——在和声教学中，应做到理论、实践有机地结合。这样，既对声乐钢琴伴奏有很好的指导作用，又能通过伴奏的检验，及时对和声理论做出进一步的丰富和完善。
[Abstract]:Vocal piano accompaniment is an important part of piano performance art. It is a comprehensive performing art which includes piano playing, harmony, music form and so on. Both professional performance and professional music education, vocal piano accompaniment is valued for its unique position and important role. From the current social needs, professional piano accompaniment talent is still in short supply. Most of the existing professional accompaniment personnel have strong positive performance ability. Due to the lack of theoretical knowledge of harmony, their impromptu accompaniment is always in harmony, texture selection, style of works and other aspects of the grasp of some "defects". Harmony is a basic theoretical course, which is the path to higher pavilions for anyone who studies music. In the traditional teaching mode, students are required to master all kinds of rules and skills of chord connection because they pay attention to writing practice of four-part harmony, and seldom tell about the actual application of harmony. This leads many students to do written exercises without problems, but in practice they run into a lot of problems. This paper aims at the above phenomenon, taking vocal piano accompaniment as the breakthrough point, synthetically using analysis, induction, summary and other methods to the relationship between harmony and accompaniment. The position and function of harmony in vocal piano accompaniment and its application in vocal piano accompaniment are discussed in detail. Try to combine harmony with vocal piano accompaniment to provide a reference for those who want to learn well and play piano accompaniment well. At the same time, it is expected that this paper can enlighten the traditional harmony teaching mode-in harmony teaching, the theory should be achieved. Practice combines organically. In this way, it can not only guide the piano accompaniment of vocal music, but also make further enrichment and perfection of harmony theory through the test of accompaniment.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614.1;J624.1

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