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格鲁克歌剧《依菲姬尼在陶里德》艺术风格研究

发布时间:2018-09-07 12:30
【摘要】: 格鲁克是18世纪德国歌剧改革家,他把资产阶级启蒙运动的进步思想融入歌剧创作实践中,形成了一种新的成熟的歌剧风格,实现了他和那个时代所追求的真实、自然的歌剧理想。歌剧《依菲姬尼在陶里德》是给格鲁克歌剧改革事业带来真正辉煌的集大成之杰作,也是其意大利正歌剧改革创作思想、创作手法的继续和发展,在格鲁克歌剧改革中具有非常重要的意义和地位。本文结合音乐分析学、戏剧学、音乐史学等方法,在梳理了这部歌剧的创作背景及成因的基础上,着重从歌剧的整体艺术构思、人物形象塑造、以及序曲与芭蕾等方面分析了歌剧的艺术风格,指出了格鲁克歌剧改革思想在这部歌剧中的创作实践特色,进而探索它的艺术价值和历史地位。
[Abstract]:Gruke was a German opera reformer in the 18th century. He integrated the progressive thought of bourgeois Enlightenment into the opera creation practice, formed a new mature opera style, and realized the reality that he and that era pursued. The natural ideal of opera. The opera "Ifizini in Taurid" is a masterpiece that brought real brilliance to Gruk's opera reform, and it is also the continuation and development of his Italian opera reform and creative ideas and techniques. In the Gruk opera reform has a very important significance and position. This paper combines the methods of music analysis, drama, music history and so on. On the basis of combing the background and causes of the creation of the opera, this paper focuses on the overall artistic conception of the opera and the portrayal of the characters. It also analyzes the artistic style of opera from the aspects of prelude and ballet, and points out the creative and practical characteristics of Gruk's opera reform thought in this opera, and then explores its artistic value and historical status.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J609.5;J832

【引证文献】

相关博士学位论文 前1条

1 杨晓琴;格鲁克的改革歌剧研究[D];上海音乐学院;2010年



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