论若斯坎与帕莱斯特里那在教会音乐创作上的异同
发布时间：2018-10-19 07:08
【摘要】：西方合唱源于古希腊社会，，并一开始就与宗教有着密切的联系。文艺复兴时期是教会音乐发展的高峰期，在这个光辉灿烂的岁月里，优秀的音乐家层出不穷，他们不仅推动了整个教会音乐的发展，更是向世人展示了一个时代的音乐不断从成熟走向精致和完美的艺术过程。其中，若斯坎与帕莱斯特里那是不得不提的两位优秀音乐家，他们的创作构建起西方音乐的优良传统，他们的经文歌、弥撒曲及尚松成为深受世人钟爱的艺术经典，他们不仅是文艺复兴音乐的两座丰碑，他们的创作更是深刻的影响着一辈又一辈的音乐家。 文艺复兴时期是音乐史上最辉煌的时期之一。尤其在合唱艺术方面是个全新的突破，当时出现了一种在教堂演唱的无器乐伴奏的合唱形式，被称为“a cappella”,其字面意思是“为教堂”。这种无伴奏合唱代表了16世纪教堂复调音乐的黄金时代。 若斯坎与帕莱斯特里那是文艺复兴时期音乐领域里杰出的两位代表，若斯坎被视为横跨中古时代与文艺复兴时代的最伟大的音乐家。他的宗教音乐多以模仿手法的复调风格写成，推动了复调音乐的发展；而总是用纯净的和声效果支持纯净的旋律的帕莱斯特里那，则被世人称为“教堂音乐的救世主”。 本文以对比若斯坎与帕莱斯特里那在教会音乐创作上的异同为目的，希望通过对于两位音乐家创作的研究与分析，能够对于国内合唱艺术研究的范围及内容起到部分借鉴与参考作用。
[Abstract]:Western chorus originated from ancient Greek society and was closely related to religion from the beginning. The Renaissance period was the peak of the development of church music. In this glorious period, excellent musicians emerged in endlessly. They not only promoted the development of the whole church music, It also shows the music of an era from mature to exquisite and perfect art process. Among them, Joschcan and Palestrina are two outstanding musicians whose works build up the fine tradition of western music. Their scripture songs, Mass and Shang Song become the favorite art classics of the world. They are not only two monuments of Renaissance music, but also have a profound influence on generations of musicians. The Renaissance was one of the most glorious periods in the history of music. In particular, it was a breakthrough in chorus art, when there was a form of non-instrumental accompaniment in church, called "a cappella", which literally meant "church". This ensemble represents the golden age of church polyphony in the 16 th century. Joschcan and Palestrina are two outstanding representatives of Renaissance music, and Joschcan is regarded as the greatest musician across the Middle Ages and Renaissance. His religious music was written in a polyphonic style of imitation, which promoted the development of polyphonic music, while Pallestrian, who always supported pure melodies with pure harmony effects, was called "the savior of church music". The purpose of this paper is to compare the similarities and differences between Roxkane and Palestrina in the creation of church music, and hope to study and analyze the creation of the two musicians. Can play a part of reference and reference to the scope and content of domestic choral art research.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614
本文编号：2280487
[Abstract]:Western chorus originated from ancient Greek society and was closely related to religion from the beginning. The Renaissance period was the peak of the development of church music. In this glorious period, excellent musicians emerged in endlessly. They not only promoted the development of the whole church music, It also shows the music of an era from mature to exquisite and perfect art process. Among them, Joschcan and Palestrina are two outstanding musicians whose works build up the fine tradition of western music. Their scripture songs, Mass and Shang Song become the favorite art classics of the world. They are not only two monuments of Renaissance music, but also have a profound influence on generations of musicians. The Renaissance was one of the most glorious periods in the history of music. In particular, it was a breakthrough in chorus art, when there was a form of non-instrumental accompaniment in church, called "a cappella", which literally meant "church". This ensemble represents the golden age of church polyphony in the 16 th century. Joschcan and Palestrina are two outstanding representatives of Renaissance music, and Joschcan is regarded as the greatest musician across the Middle Ages and Renaissance. His religious music was written in a polyphonic style of imitation, which promoted the development of polyphonic music, while Pallestrian, who always supported pure melodies with pure harmony effects, was called "the savior of church music". The purpose of this paper is to compare the similarities and differences between Roxkane and Palestrina in the creation of church music, and hope to study and analyze the creation of the two musicians. Can play a part of reference and reference to the scope and content of domestic choral art research.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J614
【参考文献】
相关期刊论文 前2条
1 赵宏伟;;浅析基督教音乐[J];大众文艺(理论);2009年15期
2 姚远;;帕莱斯特里纳与他的教会音乐创作[J];艺术教育;2009年10期
本文编号：2280487
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