怒江泸水六库镇傈僳族基督教仪式音乐实地调查研究
发布时间：2018-10-20 14:57
【摘要】：基督教仪式音乐是西方基督教在云南怒江泸水地区传播的重要媒介之一，它的教义、仪轨、音乐等都深深地影响了该地区的民众。经过百年的历史发展与沉淀，基督教成为怒江泸水六库镇傈僳族社群生活中的重要组成部分。随着社会现代化进程的加快和互联网的高速发展,傈僳族基督教音乐文化也相继发生一系列的变化。本论文以生活于云南怒江大峡谷中的傈僳族为研究主体，在前人研究的基础上，以云南怒江泸水六库镇傈僳族基督教的日常重要礼拜仪式与节日仪式作为考察研究对象。从族性认同和文化变迁这两个视角，拟对20世纪90年代末至今的泸水六库镇傈僳族基督教音乐文化进行实地调查与研究。 在绪论中，首先梳理与阐述云南傈僳族基督教音乐文化研究的国内外研究动态，然后分述本论文的研究目的及意义，最后介绍本论文所采用的理论与研究方法。 特定区域的自然环境和人文环境制约着这一区域的社会经济、文化教育、宗教信仰、音乐艺术等方面的发展，同时也决定了这一区域人们不同的生产生活方式和由此形成的本族文化认同。为了能在一个全面的社会背景和文化“语境”中呈现傈僳族基督教仪式音乐，笔者在第一章中，依据所搜集整理的相关文献资料和实地调查，将本论文研究的自然地理环境、人文生态环境与傈僳族基督教音乐文化的传播发展情况进行梳理，意为下面章节的写作提供一个研究背景。 第二章从怒江泸水六库镇傈僳族基督教特有的仪式音乐出发，一方面客观地“深描”傈僳族基督教的“主日礼拜”、“圣诞节”、“复活节”的仪式音乐活动，另一方面以基督教仪式中重要的内容——赞美诗为论域，对其主要的赞美诗做音乐本体上的描述与分析，为下文第三章、第四章的研究奠定研究的基础。 第三章与第四章为本论文的核心部分。第三章借鉴文化人类学关于族性认同的理论，对六库镇傈僳族基督教的音乐文化与族性认同之间的关系进行了研究。第四章从泸水六库镇傈僳族的外部社会文化环境的变迁和内部基督教音乐文化的变更两个方面，，通过实地考察与学理分析，拟探讨傈僳族基督教音乐文化在变迁中发生演变的动因。最后在前四章的基础上，对本论文所涉及的内容进行总结梳理，进一步提升本研究的观点和学术意识。
[Abstract]:Christian ritual music is one of the important media of western Christianity spreading in Lushui area of Nujiang River Yunnan Province. Its doctrine ritual music and so on have deeply influenced the people in this area. After a hundred years of historical development and precipitation, Christianity has become an important part of Lisu community life in Lushui Liuku Town, Nujiang River. With the acceleration of social modernization and the rapid development of the Internet, a series of changes have taken place in Lisu Christian music culture. In this paper, the Lisu nationality living in the Grand Canyon of the Nujiang River in Yunnan Province is taken as the main body of study. On the basis of the previous studies, the daily important liturgy and festival ceremony of Lisu people in Lushui Liuku Town, Nu River, Yunnan Province are taken as the objects of study. From the perspectives of clan identity and cultural change, this paper makes a field investigation and research on the Lisu Christian music culture in Lushui Luku town from the end of 1990s to the present. In the introduction, the research trends at home and abroad of the study on the Christian music culture of Lisu nationality in Yunnan Province are first summarized and expounded, then the purpose and significance of this paper are described, and the theory and research methods adopted in this paper are introduced. The natural environment and humanistic environment of a specific region restrict the development of social economy, culture and education, religious belief, music and art in this region. At the same time, it also determines the different ways of production and life and the cultural identity of the people in this region. In order to present the Lisu Christian ritual music in a comprehensive social background and cultural "context", the author, in the first chapter, according to the collected and collated relevant literature and field investigation, will study the natural geographical environment of this paper. The humanistic ecological environment and the dissemination and development of Lisu Christian music culture provide a research background for the writing of the following chapters. The second chapter starts from the ritual music characteristic of Lisu Christianity in Lushui Liuku Town, Nujiang River. On the one hand, it objectively "describes" the ritual music activities of Lisu Christian "Sunday worship", "Christmas" and "Easter". On the other hand, taking the important content of Christian ritual-hymn as the discussion field, the paper describes and analyzes its main hymn on the music ontology, which lays the foundation for the research of chapter three and chapter four below. The third and fourth chapters are the core of this paper. The third chapter studies the relationship between music culture and ethnic identity of Lisu nationality in Liuku Town by using the theory of cultural anthropology for reference. The fourth chapter from the Lushui Liuku town Lisu external social and cultural environment changes and the internal changes of Christian music culture, through field visits and theoretical analysis, This paper discusses the causes of the evolution of Lisu's Christian music culture in the vicissitude. Finally, on the basis of the first four chapters, the content of this paper is summarized and combed to further enhance the point of view and academic awareness of this study.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J608
本文编号：2283504
[Abstract]:Christian ritual music is one of the important media of western Christianity spreading in Lushui area of Nujiang River Yunnan Province. Its doctrine ritual music and so on have deeply influenced the people in this area. After a hundred years of historical development and precipitation, Christianity has become an important part of Lisu community life in Lushui Liuku Town, Nujiang River. With the acceleration of social modernization and the rapid development of the Internet, a series of changes have taken place in Lisu Christian music culture. In this paper, the Lisu nationality living in the Grand Canyon of the Nujiang River in Yunnan Province is taken as the main body of study. On the basis of the previous studies, the daily important liturgy and festival ceremony of Lisu people in Lushui Liuku Town, Nu River, Yunnan Province are taken as the objects of study. From the perspectives of clan identity and cultural change, this paper makes a field investigation and research on the Lisu Christian music culture in Lushui Luku town from the end of 1990s to the present. In the introduction, the research trends at home and abroad of the study on the Christian music culture of Lisu nationality in Yunnan Province are first summarized and expounded, then the purpose and significance of this paper are described, and the theory and research methods adopted in this paper are introduced. The natural environment and humanistic environment of a specific region restrict the development of social economy, culture and education, religious belief, music and art in this region. At the same time, it also determines the different ways of production and life and the cultural identity of the people in this region. In order to present the Lisu Christian ritual music in a comprehensive social background and cultural "context", the author, in the first chapter, according to the collected and collated relevant literature and field investigation, will study the natural geographical environment of this paper. The humanistic ecological environment and the dissemination and development of Lisu Christian music culture provide a research background for the writing of the following chapters. The second chapter starts from the ritual music characteristic of Lisu Christianity in Lushui Liuku Town, Nujiang River. On the one hand, it objectively "describes" the ritual music activities of Lisu Christian "Sunday worship", "Christmas" and "Easter". On the other hand, taking the important content of Christian ritual-hymn as the discussion field, the paper describes and analyzes its main hymn on the music ontology, which lays the foundation for the research of chapter three and chapter four below. The third and fourth chapters are the core of this paper. The third chapter studies the relationship between music culture and ethnic identity of Lisu nationality in Liuku Town by using the theory of cultural anthropology for reference. The fourth chapter from the Lushui Liuku town Lisu external social and cultural environment changes and the internal changes of Christian music culture, through field visits and theoretical analysis, This paper discusses the causes of the evolution of Lisu's Christian music culture in the vicissitude. Finally, on the basis of the first four chapters, the content of this paper is summarized and combed to further enhance the point of view and academic awareness of this study.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J608
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本文编号：2283504
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