近现代音乐作品中的对称艺术

发布时间：2018-10-23 16:57

【摘要】： 现代音乐的发展穿越了二十世纪最繁荣时期得到了最大程度上的创新,运用对称作曲技法进行音乐创作已成为现代音乐中的重要组成部分。二十世纪以来在音乐创作与研究方面,现代主义音乐经过逐步发展,出现了近似“回归”的倾向,特别是在最近几十年的音乐创作实践中,显现出人文观念增强,这反映了技术与人性化的统一。近现代作曲家在创作中结合现代作曲技术,运用多元化的创作手法,不仅赋予了作品技术上的突破,而且融入了新的观念和思维方法,营造出与整个时代传媒与信息高速发展相适应的音响理念,这似乎代表了某种现代音乐追求的方向。但是,创作与研究并不同步,一方面众多探索仅仅停留在二十世纪实验性、文献性的成果上,对多元化的现代作曲技术还缺乏全面深入研究;另一方面,对称乐学理论的研究成果很少在音高组织等音乐结构的对称性中体现。所以,论文《近现代音乐作品中的对称艺术》主要以对称乐学理论作为理论基础,结合音高结构、调性布局、整体结构及创作实践中的对称现象进而论述相关作曲家在对称技术与艺术上的应用。
[Abstract]:The development of modern music has passed through the most prosperous period of the 20th century to obtain the greatest degree of innovation, the use of symmetrical composition techniques to create music has become an important part of modern music. In the aspect of music creation and research since the 20th century, modernism music has gradually developed and appeared the tendency of similar "return", especially in the practice of music creation in recent decades, showing the enhancement of humanistic concept. This reflects the unity of technology and humanity. Modern composers have combined modern composing techniques with modern composition techniques, using a variety of creative techniques, not only to give the works a breakthrough in technology, but also to incorporate new ideas and methods of thinking. It seems to represent the direction of the pursuit of modern music to create a sound concept suitable for the rapid development of the media and information in the whole era. However, creation and research are not synchronized. On the one hand, many explorations only remain on the experimental and documentary achievements of the twentieth century, and there is still a lack of comprehensive and in-depth research on the diversified modern composing techniques; on the other hand, The research results of symmetrical music theory are seldom reflected in the symmetries of musical structures such as pitch organization. Therefore, the thesis "Symmetry Art in Modern Music works" is mainly based on the theory of symmetrical music, combined with pitch structure, tonal layout, The whole structure and the symmetries in the creative practice, and then discusses the application of the relative composers in the symmetrical technology and art.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J614

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