潘德列茨基早期音乐作品中的“音色—音响”观念及其创作技法研究
发布时间：2018-10-25 15:56
【摘要】：克尔齐什托夫·潘德列茨基(Krzysztof Pendenreski，1933—)是20世纪50年代后期开始至今活跃于世界乐坛的波兰著名先锋音乐作曲家，现代“波兰乐派”的创立者之一。自1959年以不同署名递交的三部作品同时获得波兰音乐大奖起，在约15年的时间里潘德列茨基应用其新颖独特的“音色—音响”观念以及建立在这一观念上的艺术思维和不同于传统音乐语言的作曲技法所创作的一系列新作，几乎每一首都引起国际乐坛的轰动。可以说，这一时期潘德列茨基的创作观念、风格、技法及丰富成果对20世纪，特别是20世纪60、70年代的西方先锋音乐潮流有着重要的、革命性的影响。 本文主要从技术角度入手，对反映潘德列茨基独特创作风格的早期乐队作品文本进行较为详尽的研究，对其音乐构成中的音源、演奏法、音高、“音色—音响”等主要参数以及这些参数在作品中的具体组织方式等一系列技法特征进行量化分析与归纳。 本论文分为上篇与下篇两个部分，，由七个章节组成：论文第一至第三章主要介绍并概述了潘德列茨基的生平与创作分期；独特创作风格作用下的技术成因及创作风格形成的历史文化背景。第四至第七章通过实例分析，对“音色—音响”音乐创作中的音源、演奏法、音高、“音色—音响”等组织方式进行论述。最后的结语部分，则对潘德列茨基早期创作风格及技法特征进行了集中的概括总结。
[Abstract]:Krzysztof Pendenreski,1933- is a famous Polish pioneer music composer who has been active in the world since the late 1950s, and one of the founders of the modern Polish music school. Since 1959, three works submitted under different signatures have been awarded the Polish Music Awards at the same time. Over a period of about 15 years, Pandlecki applied his novel and unique "timbre acoustics" concept, as well as a series of new works based on artistic thinking and techniques different from those of traditional musical languages. Almost every capital caused a stir in international music. It can be said that Pandlecki's creative ideas, style, techniques and rich achievements in this period have an important and revolutionary impact on the western vanguard music trend in the 20th century, especially in the 1960s and 1970s. This article mainly starts from the technical angle, carries on the more detailed research to the early band work text which reflects Pendretsky's unique creation style, to its music composition in the sound source, the performance method, the pitch, The main parameters, such as timbre and sound, as well as the concrete organization of these parameters in the works, are analyzed and summarized quantitatively. This thesis is divided into the first part and the second part, which consists of seven chapters: the first to the third chapter mainly introduces and summarizes the life and creation stages of Pendretsky; The technical cause of formation and the historical and cultural background of the formation of the unique creative style. The fourth to seventh chapter through the example analysis, to "timbre-acoustics" music creation in the sound source, the performance method, the pitch, "timbre-acoustics" and so on organization way carries on the elaboration. In the last part, the author summarizes Pendretsky's early writing style and technical features.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J614
本文编号：2294168
[Abstract]:Krzysztof Pendenreski,1933- is a famous Polish pioneer music composer who has been active in the world since the late 1950s, and one of the founders of the modern Polish music school. Since 1959, three works submitted under different signatures have been awarded the Polish Music Awards at the same time. Over a period of about 15 years, Pandlecki applied his novel and unique "timbre acoustics" concept, as well as a series of new works based on artistic thinking and techniques different from those of traditional musical languages. Almost every capital caused a stir in international music. It can be said that Pandlecki's creative ideas, style, techniques and rich achievements in this period have an important and revolutionary impact on the western vanguard music trend in the 20th century, especially in the 1960s and 1970s. This article mainly starts from the technical angle, carries on the more detailed research to the early band work text which reflects Pendretsky's unique creation style, to its music composition in the sound source, the performance method, the pitch, The main parameters, such as timbre and sound, as well as the concrete organization of these parameters in the works, are analyzed and summarized quantitatively. This thesis is divided into the first part and the second part, which consists of seven chapters: the first to the third chapter mainly introduces and summarizes the life and creation stages of Pendretsky; The technical cause of formation and the historical and cultural background of the formation of the unique creative style. The fourth to seventh chapter through the example analysis, to "timbre-acoustics" music creation in the sound source, the performance method, the pitch, "timbre-acoustics" and so on organization way carries on the elaboration. In the last part, the author summarizes Pendretsky's early writing style and technical features.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J614
【相似文献】
相关博士学位论文 前2条
1 张旭儒;潘德列茨基早期音乐作品中的“音色—音响”观念及其创作技法研究[D];上海音乐学院;2006年
2 田艺苗;潘德列茨基早期作品中的复调技法[D];上海音乐学院;2006年
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