从“清浊”到“清和”——试析古代音乐美学中的“清”
发布时间：2018-10-26 17:25
【摘要】："清"在古代音乐美学中是一个至关重要的范畴,它主要体现在以下的三个互为递进的层次:首先,作为"清浊"的形态之一,构成声音的物理属性之一,成为"和"的音乐审美原则的基础;其次,作为"清音",它逐渐成为美妙音乐的代名词,被当作音乐之主宰;最后,"清和"成为古代音乐美学的审美理想。
[Abstract]:"Qing" is a crucial category in ancient music aesthetics. It is mainly reflected in the following three levels: firstly, as one of the forms of "clear and turbid", it constitutes one of the physical attributes of sound. To become the basis of the musical aesthetic principle of "he"; Secondly, as "clear tone", it gradually becomes the synonym of beautiful music and is regarded as the master of music; finally, "Qing he" becomes the aesthetic ideal of ancient music aesthetics.
【作者单位】： 中国计量学院人文学院;
【分类号】：J601
[Abstract]:"Qing" is a crucial category in ancient music aesthetics. It is mainly reflected in the following three levels: firstly, as one of the forms of "clear and turbid", it constitutes one of the physical attributes of sound. To become the basis of the musical aesthetic principle of "he"; Secondly, as "clear tone", it gradually becomes the synonym of beautiful music and is regarded as the master of music; finally, "Qing he" becomes the aesthetic ideal of ancient music aesthetics.
【作者单位】： 中国计量学院人文学院;
【分类号】：J601
【参考文献】
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