罗西娜的音乐形象塑造
发布时间：2018-11-08 11:00
【摘要】：罗西尼是意大利美声学派新时期的代表性作曲家，他的主要成就在喜歌剧，而《塞维利亚的理发师》则是他喜歌剧的最高成就，本文从声乐演唱专业研究生和演唱者的角度，对罗西尼的歌剧《塞维利亚的理发师》中女主角罗西娜这一音乐形象展开分析，从而进一步了解作曲家在塑造人物形象时运用的独特的音乐表现手法和富于特色的音乐语言，本文将分为绪言、正文、结语三部分进行论述。 第一部分是绪言，首先概述19世纪前期欧洲的社会背景和歌剧状况，从而在人的历史环境和背景下把握作曲家创作这部歌剧的动因与意图。再分析歌剧体裁的发展进程及这一特殊体裁的产生背景及罗西尼是如何发展了这。一他所擅长的体裁的。最后简述作曲家的生平、创作道路及这一成熟之作的创作历程，及简述歌剧故事梗概。 第二部分展开对剧中人物罗西娜角色的分析，这是本论文的重点，将从五个方面来论述。从歌剧的故事情节和音乐中分析作曲家如何运用丰富多样的音乐于法体现喜歌剧的特殊风格，并做到对人物性格的刻画鲜明生动、栩栩如生、富典型性；罗西尼歌剧中的罗西娜和莫扎特笔下的罗西娜在角色塑造上的区别和比较；不同的歌唱家对诠释这一人物的不同理解；罗西娜这一角色不同版本的比较。 第三部分是结论，总结罗西尼的喜歌剧风格如何在罗西娜身上得到集中体现，罗西尼塑造这一典型形象运用了哪些独特的音乐手法，及其对歌剧发展的巨大贡献。
[Abstract]:Rosini is the representative composer of the new era of the Italian Bel School. His main achievement is the happy opera, and the hairdresser in Seville is his highest achievement in the opera. By analyzing the musical image of Rossini's opera, hairdresser in Seville, the heroine Rosina, in order to further understand the unique musical expression and distinctive musical language used by composers in portraying characters, This article will be divided into the introduction, the text, the conclusion three parts to carry on the elaboration. The first part is the introduction, which first summarizes the social background and the opera situation in Europe in the early 19th century, so as to grasp the motive and intention of composer's creation of this opera under the historical environment and background of man. Then it analyzes the development process of opera genre, the background of this particular genre and how Rossini developed it. One of the genres he's good at. Finally, the life of the composer, the creation of the road and this rare's creative process, as well as a brief outline of the opera story. The second part analyzes the characters of Rosina, which is the focus of this paper and will be discussed from five aspects. From the story plot and music of opera, the writer analyzes how the composer uses rich and varied music to embody the special style of Xi opera, and to depict the characters' character vividly, lifelike and typical. The difference and comparison between Rosina and Mozart in the portrayal of the character; the different understanding of the interpretation of the character by different singers; the comparison of the different versions of Rosina. The third part is the conclusion. It summarizes how Rosini's opera style is embodied in Rosina, what unique musical techniques Rosini used to create this typical image, and his great contribution to the development of opera.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616
本文编号：2318265
[Abstract]:Rosini is the representative composer of the new era of the Italian Bel School. His main achievement is the happy opera, and the hairdresser in Seville is his highest achievement in the opera. By analyzing the musical image of Rossini's opera, hairdresser in Seville, the heroine Rosina, in order to further understand the unique musical expression and distinctive musical language used by composers in portraying characters, This article will be divided into the introduction, the text, the conclusion three parts to carry on the elaboration. The first part is the introduction, which first summarizes the social background and the opera situation in Europe in the early 19th century, so as to grasp the motive and intention of composer's creation of this opera under the historical environment and background of man. Then it analyzes the development process of opera genre, the background of this particular genre and how Rossini developed it. One of the genres he's good at. Finally, the life of the composer, the creation of the road and this rare's creative process, as well as a brief outline of the opera story. The second part analyzes the characters of Rosina, which is the focus of this paper and will be discussed from five aspects. From the story plot and music of opera, the writer analyzes how the composer uses rich and varied music to embody the special style of Xi opera, and to depict the characters' character vividly, lifelike and typical. The difference and comparison between Rosina and Mozart in the portrayal of the character; the different understanding of the interpretation of the character by different singers; the comparison of the different versions of Rosina. The third part is the conclusion. It summarizes how Rosini's opera style is embodied in Rosina, what unique musical techniques Rosini used to create this typical image, and his great contribution to the development of opera.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616
【引证文献】
相关硕士学位论文 前4条
1 张慧;美妙歌声随风飘荡[D];曲阜师范大学;2011年
2 许扬;歌剧《费加罗的婚礼》和《塞维利亚理发师》中费加罗角色比较研究[D];河南大学;2010年
3 周晓玲;罗西尼歌剧之花腔艺术探究[D];陕西师范大学;2010年
4 汪蕾;《伊多梅纽》中埃莱特拉咏叹调《哦，疯狂！哦，暴怒！》的分析与演绎[D];南京艺术学院;2012年
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