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试论方兵无伴奏合唱创作特征及艺术处理

发布时间:2018-12-19 19:23
【摘要】:国内外对于合唱音乐作品的创作态度一直都是充满着热情。尤其是对于国外曲作家而言无伴奏合唱音乐的创作似乎更受他们的青睐。然而我国由于历史、音乐文化传承等众多原因,导致我国音乐在多声部音乐创作方面显得较为薄弱,尤其是合唱方面。目前我国的合唱主要是以带伴奏的合唱为主,群众歌咏相对普遍。无伴奏合唱创作领域极度贫瘠,经典音乐作品更是凤毛麟角。目前,我国无伴奏合唱艺术正在一条极度狭窄的道路上茫然的、艰难的发展。 本文通过对方兵目前创作出来的三十首无伴奏合唱作品进行了系统的分析,将对这些采用中西方作曲技术和理念进行创作的民族风格的无伴奏合唱作品进行归纳总结,挖掘作曲家创作中的独具匠心、与众不同之处。通过我的研究来发现并显露出作曲家内心为探索出一条适合中国人自己的表述方式、适合本民族演唱的无伴奏合唱作品而努力的深刻意义。 本文分为六个章节,将从三个方面进行阐述。第一方面是对方兵无伴奏合唱创作特征的分析;第二个方面是对于指挥工作者而言对其音乐作品进行的恰当艺术处理。第三个方面是对方兵音乐创作产生的影响与意义进行思考。其六个章节布局如下:第一章是方兵无伴奏合唱创作概况。第二章是其创作类型的分类。第三章是和声、曲式等多个层面的创作特征分析。第四章是其音乐作品包含的艺术特征。第一至第四章是从第一个方面对方兵作品进行技术分析。第五章是从第二个方面对方兵作品的二度诠释。第六章是方兵无伴奏合唱对当代中国无伴奏合唱创作的影响。 笔者认为,对于方兵无伴奏合唱作品的研究具有重要意义。方兵是目前国内第一个创作无伴奏合唱作品如此之多的作曲家,并且其作品仍在创作增产中。对于无伴奏合唱创作这个贫瘠领域的探索是当代作曲家为我国合唱事业需要贡献的一份力量。要想让中国的合唱国际化,首先得从作曲家开始探索。必须为我国人民提供大量的无伴奏合唱作品,再通过指挥家和合唱民众等众多追求合唱艺术的工作者们一起努力摸索,才能真正发展我国的合唱艺术,赶上国际潮流并真正具备他们所能达到的艺术水平。
[Abstract]:At home and abroad for choral music creation attitude has been full of enthusiasm. Especially for foreign songwriters, the creation of accompaniment choral music seems to be more favored by them. However, due to many reasons, such as history, music and cultural heritage, Chinese music in multi-voice music creation is relatively weak, especially in chorus. At present, the chorus in China is mainly accompanied by the chorus, popular singing is relatively common. The field of accompaniment choir creation is extremely barren, classical music works are even rarer. At present, Chinese accompaniment chorus art is developing blankly and painstakingly along an extremely narrow road. Through the systematic analysis of thirty accompaniment choral works by the opposing soldiers at present, this paper sums up and sums up these non-accompaniment choral works with Chinese and Western composing techniques and ideas. Excavate the originality in composer's creation, different place. Through my research, I find and reveal the profound significance of the composer's inner efforts to find out an expression suitable for the Chinese themselves, suitable for their own singing works without accompaniment. This article is divided into six chapters, will be elaborated from three aspects. The first is the analysis of the characteristics of the non-accompaniment choral creation of the other soldiers; the second is the proper artistic treatment of his musical works for the conductor. The third aspect is the influence and significance of the creation of the other soldier's music. The six chapters are arranged as follows: the first chapter is the general situation of Fang Bing's ensemble creation without accompaniment. The second chapter is the classification of its creation type. The third chapter is harmony, music and other aspects of the creative characteristics of analysis. The fourth chapter is the artistic features of his musical works. The first to the fourth chapter is the technical analysis from the first aspect of the work of the other soldiers. The fifth chapter is from the second aspect of the other side of the second interpretation of the work of soldiers. The sixth chapter is the influence of Fang Bing's accompaniment chorus on contemporary Chinese ensemble creation. The author believes that the study of Fang Bing's accompaniment chorus works is of great significance. Fang Bing is the first composer to create such a large number of accompaniment choral works in China, and his works are still in the process of increasing production. The exploration of the barren field of ensemble choral creation is a contribution of contemporary composers to the choral cause of our country. In order to internationalize Chinese chorus, we must begin with the composer. We must provide our people with a large number of ensemble choral works, and through the efforts of the conductor and the chorus public and many other workers who pursue the chorus art, we can really develop the chorus art in our country. Keep up with the international trend and really have the art level they can achieve.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J616.2

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相关期刊论文 前5条

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