试论二胡演奏中的时间感与空间感
发布时间：2019-01-29 05:19
【摘要】： 任何运动都存在于特定的时间和空间之中，音乐作为乐音的运动形式，也不例外。从技术性与艺术性的角度而言，这种时间性和空间性在演奏领域内显得尤为重要。对二胡演奏者而言，其不但要有时间感，也要有空间感，更为重要的是，能够将这种时、空感觉有机地融入到演奏技巧中，充分运用和有效发挥二者在演奏中的各种协调、辅助功能，以此来更加完美地演绎和诠释音乐作品。 全文主要由五部分组成。第一部分“引言”主要涉及论文的实践意义和理论价值、学术界相关研究成果的评述、运用的分析方法以及论文的创新和不足之处。第二部分以多学科的综合视角为基础，侧重从音乐艺术的角度分别对时间、空间，时间感、空间感的内涵、特征和功能进行阐述。第三、四部分主要从技术性与艺术性两方面专门就二胡演奏中时间感、空间感的内涵、功能及其作用进行全面、系统地分析，并就演奏者在日常训练和实际演奏中如何培养和运用时、空思维提出了几点探索性的建议。第五部分则是本文的结论，指明时间感和空间感对于提高演奏技巧和演奏效果具有积极的作用和功能，，提出演奏者体验和把握这两种感觉所具有的重要意义。
[Abstract]:Any movement exists in the specific time and space, music as the music movement form, is no exception. From the technical and artistic point of view, this time and space is particularly important in the field of performance. For the erhu players, they should not only have a sense of time, but also a sense of space, and more importantly, they should be able to integrate this sense of time and space into their playing skills, making full use of and effectively bringing into full play all kinds of coordination between the two in the performance. Auxiliary function, in order to more perfect interpretation and interpretation of music works. The full text consists of five parts. The first part of "introduction" mainly involves the practical significance and theoretical value of the thesis, the review of relevant research results in academic circles, the analytical methods used, the innovation and deficiency of the paper. The second part is based on the multi-disciplinary comprehensive perspective, focusing on the connotation, characteristics and functions of time, space, sense of time and sense of space from the perspective of music art. The third and fourth parts mainly focus on the comprehensive and systematic analysis of the connotation, function and function of the sense of time and space in the performance of erhu from the technical and artistic aspects. Some tentative suggestions on how to train and use the players in daily training and actual performance are put forward. The fifth part is the conclusion of this paper, pointing out that the sense of time and space has a positive role and function to improve the performance skills and performance effect, and puts forward the important significance of the players' experience and grasp of these two feelings.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J632.21
本文编号：2417685
[Abstract]:Any movement exists in the specific time and space, music as the music movement form, is no exception. From the technical and artistic point of view, this time and space is particularly important in the field of performance. For the erhu players, they should not only have a sense of time, but also a sense of space, and more importantly, they should be able to integrate this sense of time and space into their playing skills, making full use of and effectively bringing into full play all kinds of coordination between the two in the performance. Auxiliary function, in order to more perfect interpretation and interpretation of music works. The full text consists of five parts. The first part of "introduction" mainly involves the practical significance and theoretical value of the thesis, the review of relevant research results in academic circles, the analytical methods used, the innovation and deficiency of the paper. The second part is based on the multi-disciplinary comprehensive perspective, focusing on the connotation, characteristics and functions of time, space, sense of time and sense of space from the perspective of music art. The third and fourth parts mainly focus on the comprehensive and systematic analysis of the connotation, function and function of the sense of time and space in the performance of erhu from the technical and artistic aspects. Some tentative suggestions on how to train and use the players in daily training and actual performance are put forward. The fifth part is the conclusion of this paper, pointing out that the sense of time and space has a positive role and function to improve the performance skills and performance effect, and puts forward the important significance of the players' experience and grasp of these two feelings.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J632.21
【参考文献】
相关期刊论文 前2条
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2 赵仲牧;时间观念的解析及中西方传统时间观的比较[J];思想战线;2002年05期
本文编号：2417685
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