略说董维松先生的戏曲音乐研究方法
发布时间：2019-01-30 16:41
【摘要】：在戏曲音乐研究中,董维松先生很注重音乐形态的分析,并总结出"程式分析法"和"非程式分析法"两种相辅相成的分析方法。董先生也对戏曲音乐有一系列宏观思考,并在研究中做到了"大处着眼"与"小处着手"的统一。董先生对戏曲音乐作品的"个体解剖"十分深入,既体现了实事求是的优良学风,也在对戏曲音乐的认识上有重要的开拓。
[Abstract]:In the study of traditional Chinese opera music, Dong Weisong paid much attention to the analysis of music form, and summed up the two complementary analysis methods of "program analysis" and "non-program analysis". Dong also has a series of macro thoughts on opera music, and in his research, he has achieved the unity of "focusing on big things" and "doing little things". Dong's "individual dissection" of opera music works is very deep, which not only embodies the fine style of study seeking truth from facts, but also has an important pioneering point in the understanding of traditional Chinese opera music.
【作者单位】： 中国传媒大学艺术研究院;
【分类号】：J607
[Abstract]:In the study of traditional Chinese opera music, Dong Weisong paid much attention to the analysis of music form, and summed up the two complementary analysis methods of "program analysis" and "non-program analysis". Dong also has a series of macro thoughts on opera music, and in his research, he has achieved the unity of "focusing on big things" and "doing little things". Dong's "individual dissection" of opera music works is very deep, which not only embodies the fine style of study seeking truth from facts, but also has an important pioneering point in the understanding of traditional Chinese opera music.
【作者单位】： 中国传媒大学艺术研究院;
【分类号】：J607
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