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冯子存笛曲《喜相逢》《万年红》创作与演奏风格探析

发布时间:2019-02-21 16:28
【摘要】:二人台牌子曲是起源于河曲,流传于我国晋西北、陕北、内蒙古西部及张家口-代的、蕴含着浓厚乡土文化气息的民间戏曲剧种。演奏虽然只用四件主要乐器(笛、四胡、扬琴、四块瓦),但由于民间艺术家高超的演奏技巧以及丰富的变奏,充分发挥了乐器的性能,使牌子曲富有健康,粗狂,跳跃,欢乐的特色,感人至深,为广大人民喜闻乐见。著名笛子演奏家冯子存生长于张北地区,从小受到二人台,山西梆子等民间音乐和戏曲的熏陶,所以演奏具有浓郁的北方特点。由于长期为二人台等戏曲伴奏,冯子存掌握并吸收了二人台中的独特风格和特色技巧,用于其笛子创作与演奏当中。冯子存一生中将多首二人台牌子曲改编移植为笛子独奏曲,本文通过分析冯子存由牌子曲改编而成的《喜相逢》《万年红》这两首流传广泛、具有代表性的笛曲,来阐述冯子存二人台牌子曲笛乐的创作以及演奏风格。
[Abstract]:ErRentai brand music originated in Hequ, spread in northwest Shanxi, northern Shaanxi, western Inner Mongolia and Zhangjiakou-generation, containing a strong local cultural flavor of folk opera drama. Although only four major instruments (flute, huhu, yangqin, four tiles) are used, due to the superb performance and rich variations of folk artists, the performance of the instrument has been brought into full play, making the brand music rich in health, rustic, and jumping. The characteristics of joy, moving, for the majority of the people like to see. Feng Zicun, a famous flute performer, grew up in Zhangbei area and was nurtured by folk music and operas such as two-man stage, Shanxi Bangzi and so on. For a long time, Feng Zicun grasped and absorbed the unique style and characteristic skill of the two people stage, which was used in his flute creation and performance. In his life, Feng Zi-cun has adapted a number of two people's Taiwan brand songs into a flute solo. This paper analyzes Feng Zi-cun 's adaptation of "Happy meet" and "Wannian Red", which are widely spread and representative flute songs. To expound the creation and performance style of Feng Zicun.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J632.11

【共引文献】

相关期刊论文 前2条

1 尤优;;竹笛演奏气息的运用[J];边疆经济与文化;2011年03期

2 刘海成;湛洋;齐晓芳;;中国竹笛之笛膜技术分析[J];唐山师范学院学报;2008年03期

相关博士学位论文 前1条

1 萧舒文;20世纪中国笛乐[D];中国艺术研究院;2010年

相关硕士学位论文 前1条

1 乔春霞;东路二人台的现状调查与研究[D];河北师范大学;2009年



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