对海顿的清唱剧《创世记》的理解和对天使加百列的演释

发布时间：2019-03-22 14:24

【摘要】：海顿是西方音乐史上最重要的音乐家之一，他专注于清唱剧这种体裁是在他卓越生涯的晚期，而《创世记》是他最辉煌和最有成就的一个作品。在他1791年和1794年的两次伦敦之行中多次听到了亨德尔的清唱剧，海顿立即深受鼓舞，之后才开始创作《创世记》。作为一名声乐演唱者，对于清唱剧我有一种情不自禁的喜爱，《创世记》作为海顿的代表作品，以及整个古典主义时期最具经典意义的德语清唱剧之一，无论从何角度，本人都觉得研究和演唱该作品有着重大的意义。本论文的标题是“对海顿的清唱剧《创世记》的理解和对天使加百列的演绎”，写作目的旨在学习如何去领会海顿的声乐艺术，本着这个目的在论文中我着手对该作品的创作背景、脚本、音乐风格、剧中主要人物进行了研究分析，，并重点阐释了我对加百列这一角色的理解和演绎。此外，本论文研究对象是对《创世记》的整体分析，从而去发现这部清唱剧的价值，以及我试图通过研究怎样适当地演绎这个特殊的天使——加百列，去了解音乐背后——海顿所真正希望传达给听众的东西。全文由一个前言、五个主要章节和一个结论构成，文末为参考文献和一个致谢。前言中主要对本课题选题的缘由和研究的目的意义进行陈述。论文的主体部分采用层层深入的方式来陈述对《创世记》的整体理解和对其中一个角色——天使加百列的演唱和解释。第一章从介绍《创世记》的创作背景，包括海顿的晚年、《创世记》的诞生(动因与创作过程)入手阐述。第二章针对《创世记》的脚本，分别从脚本的由来和脚本的结构两个方面进行分析。第三章是对《创世记》的音乐风格入手，从作品中对巴洛克、古典主义以及浪漫主义音乐风格的综合进行多个角度比较分析。第四章则从作品中的主要人物的分析切入，从而论述加百列是一位在圣经和该剧中都很特殊的天使，用以说明角色在该剧中的重要地位。第五章从加百列的宣叙调、加百列的咏叹调和对现有音像资料中加百列演唱之比较三个层面来阐释加百列这一角色。通过分析和研究该作品，我希望从文字、谱面和音像资料的研究上挖掘作品背后的含义，从而去捕捉和表达海顿音乐的精髓：他的热情、智慧、朴实的幽默、乐观主义精神和深刻的精神境界。最后，本人希望得到各位老师、同学、所有古
[Abstract]:Haydn is one of the most important musicians in the history of western music. His focus on the oratorio is at the end of his outstanding career, and Genesis is one of his most brilliant and accomplished works. Haydn was immediately encouraged to hear Hendell's recital many times during his two London trips in 1791 and 1794, before he began to write Genesis. As a vocal singer, I could not help but love the oratorio, Genesis as a masterpiece of Haydn, and one of the most classic German-language recital plays of the entire period of classicism, from whatever point of view, I think it is of great significance to study and sing the work. The title of this thesis is "understanding of Haydn's Chronicle of Genesis and interpretation of Angel Gabriel". The purpose of this thesis is to learn how to understand Haydn's vocal art. For this purpose, I set out to study and analyze the background, script, musical style and main characters of this work, and explained my understanding and interpretation of Gabriel. In addition, the object of this thesis is a holistic analysis of Genesis to discover the value of this oratorio, and I am trying to figure out how to properly interpret this particular angel-Gabriel, To understand what Haydn really wants to convey to the audience behind music. The full text consists of a preface, five main chapters and a conclusion, and the end of the paper is a reference and a thank-you. In the preface, the reason of the topic selection and the purpose and significance of the research are stated. In the main part of the thesis, the whole understanding of Genesis and the singing and explanation of one of the characters, Angel Gabriel, are presented in a deep way. The first chapter introduces the creation background of Genesis, including Haydn's later years and the birth (motivation and process) of Genesis. The second chapter analyzes the script of Genesis from two aspects: the origin of script and the structure of script. The third chapter begins with the music style of Genesis, and makes a comparative analysis of Baroque, classicism and Romanticism in the works. The fourth chapter is from the analysis of the main characters in the work, thus discussing Gabriel is a very special angel in the Bible and the play, in order to explain the important position of the character in the play. The fifth chapter explains Gabriel's role from three aspects: Gabriel's narrative, Gabriel's aria and the comparison of Gabriel's singing in the current audio-visual materials. Through the analysis and study of this work, I hope to explore the meaning of the work from the text, spectrum and audio-visual data, in order to capture and express the essence of Haydn's music: his enthusiasm, wisdom, simple humor, The spirit of optimism and a profound spiritual realm. Finally, I hope to have all the teachers, classmates, all the ancient
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J616

【引证文献】