东北地区达斡尔族传统民歌特征与保护研究
[Abstract]:The Daur nationality lived in Heilongjiang basin for a long time. In the long history, they developed the frontier of the motherland with their hard-working hands and created splendid national culture at the same time. After the founding of the people's Republic of China, the northeast of the region established the Inner Mongolia northeast Moridawa Autonomous Banner, the north of Heilongjiang Qiqihar as the center of the two gathering areas. There are a large number of folk songs that represent the national spirit and culture in these two great gathering areas of the Da nationality compatriots. These traditional folk songs have various genres, covering various aspects of production and life in different historical periods. This provides a wealth of information for understanding and understanding the Daur nationality, a people who have no language and no words. From the perspective of the social background and the characteristics of production and life of the traditional folk songs, this paper analyzes the characteristics of the development of the traditional folk songs in different historical periods, and studies the internal motive force of the existence and development of the folk songs, based on the clue of the development course of the Da nationality folk songs. Find out the effective way to inherit and re-develop the outstanding national culture, and finally make contribution to the construction of socialist spiritual civilization in the new period. The first part of the paper introduces the general situation of the development of Daur and its traditional folk songs, studies the emergence and development of the Daur folk songs from the angle of historical development and historical change, the second part introduces the genre and style characteristics of the traditional folk songs from the angle of musical form. The third part introduces the progress of inheritance and protection since the founding of the people's Republic of China, and finally puts forward some suggestions on the current serious inheritance problems.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J607
【相似文献】
相关期刊论文 前10条
1 刘兰青;;浅谈中国传统民歌[J];鞍山师范学院学报;2008年02期
2 孙拥军;;“大跃进”年代的民歌与传统民歌的比较[J];社会科学家;2009年11期
3 王晶晶;;传统民歌的发展需要多媒体技术服务[J];大舞台;2010年07期
4 樊凤爱;;分析传统民歌的情感特点[J];文学界(理论版);2011年01期
5 鄢丽娟;;当代民歌创作与传统民歌保护——从长辫子组合和《数蛤蟆》谈起[J];音乐创作;2011年01期
6 李珊;;谈中国传统民歌中的含蓄美[J];歌海;2012年02期
7 伊春;;传统民歌中的女性形象探析[J];作家;2011年10期
8 庄廷春;;论新民歌的创作与传统民歌的延续[J];音乐大观;2012年04期
9 沈彤;;中国传统民歌文化传承措施初探[J];通俗歌曲;2012年10期
10 付翠屏;满—通古斯语族诸民族传统民歌的形态特征[J];中国音乐;2004年02期
相关硕士学位论文 前6条
1 徐乐娜;论传统民歌在文化旅游中的转型[D];上海音乐学院;2007年
2 张明志;裕固族传统民歌与新民歌比较研究[D];西北师范大学;2010年
3 白洁;人口较少民族民歌传承的民族志研究[D];兰州大学;2008年
4 王宜敏;东北地区达斡尔族传统民歌特征与保护研究[D];东北师范大学;2014年
5 郑玉林;陇东民歌的特征分析[D];西北师范大学;2010年
6 讷榛;达斡尔族传统民歌中的调式交替研究[D];内蒙古师范大学;2011年
本文编号:2455394
本文链接:https://www.wllwen.com/wenyilunwen/qiyueyz/2455394.html