中国汉民族戏曲声腔类属研究
发布时间：2019-05-15 11:31
【摘要】：从音乐角度完整梳理戏曲声腔的专著,在戏曲及戏曲音乐研究中尚未见有。 如此现状,为本论文提供了很大的研究空间。 笔者以“全国戏曲音乐集成”卷本为对象,根据入卷声腔的实际情况,结合 集成各种形式的文本资料,将声腔词语使用及概念进行论说。以音乐本体为主要 研究对象,在历史与客观考量的前提下,提出“同源共祖、曲调沿用、用中有变、 变不离宗’’的声腔限定十六字标准。并就现有戏曲声腔整体性梳理与重组问题, 提出自己的看法、思路与建议。 本论文声腔梳理的指导思想是: 一、从音乐的角度出发,强调音乐属性之共同性。依照声腔“曲调沿用”之 客观规律,将那些音乐风格相近的声腔合,反之拆; 二,本次只梳理部分剧种音乐中起主要作用的声腔; 三,对于那些数量众多、在剧种音乐中处于非主要地位的声腔,拟在以后的 继续研究中逐步进行,此次暂不考虑; 四,中国戏曲剧种众多,声腔情况极其复杂,非一人在短期内能予全部厘清。 本文谨就部分声腔的探索,抛砖引玉。并将此课题列为笔者今后之专攻。 本论文按照中国戏曲音乐集成》各剧种主要声腔之记载,遵循戏曲音乐形 态与结构的客观规律,将戏曲声腔划分为三个大的类型。即:全国性传播声腔; 地区性传播声腔;非传播性声腔。各大类型中,分别以群体声腔与单体声腔辨之。
[Abstract]:From the point of view of music, it has not yet been found in the study of opera and opera music. This situation provides a lot of research space for this paper. The author takes the volume of "National Opera Music Integration" as the object, according to the actual situation of the voice cavity, combined with the integration of various forms of text data, the use and concept of vocal cavity words are discussed. Taking the music Noumenon as the main research object, under the premise of historical and objective consideration, this paper puts forward that "the same origin and common ancestor, the tunes are used, and there are changes in use." The vocal cavity of Zong'is limited to the standard of sixteen characters. And on the existing opera voice integrity combing and reorganization, put forward their own views, ideas and suggestions. The guiding ideology of this paper is as follows: first, from the perspective of music, emphasize the commonality of music attributes. According to the objective law of "tunes used" in the vocal cavity, the vocal cavities with similar musical styles are combined, and the other is disassembled. Second, this time only combs the vocal cavities that play a major role in some kinds of music. Third, for those who have a large number of vocal cavities, which are in a non-dominant position in the drama music, it is intended to be carried out step by step in the further study, which will not be considered for the time being; Fourth, there are many kinds of Chinese opera, the vocal cavity is extremely complex, not one person can be clarified in a short period of time. In this paper, I would like to explore some of the sound cavity, throwing bricks to attract jade. And this topic as the author's future specialties. According to the records of the main vocal cavities of Chinese opera music integration and the objective law of the shape and structure of opera music, this paper divides the opera vocal cavity into three types. That is: national propagation cavity; regional propagation cavity; non-propagating sound cavity. Among the major types, the group cavity and the single cavity were identified respectively.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J617
本文编号：2477470
[Abstract]:From the point of view of music, it has not yet been found in the study of opera and opera music. This situation provides a lot of research space for this paper. The author takes the volume of "National Opera Music Integration" as the object, according to the actual situation of the voice cavity, combined with the integration of various forms of text data, the use and concept of vocal cavity words are discussed. Taking the music Noumenon as the main research object, under the premise of historical and objective consideration, this paper puts forward that "the same origin and common ancestor, the tunes are used, and there are changes in use." The vocal cavity of Zong'is limited to the standard of sixteen characters. And on the existing opera voice integrity combing and reorganization, put forward their own views, ideas and suggestions. The guiding ideology of this paper is as follows: first, from the perspective of music, emphasize the commonality of music attributes. According to the objective law of "tunes used" in the vocal cavity, the vocal cavities with similar musical styles are combined, and the other is disassembled. Second, this time only combs the vocal cavities that play a major role in some kinds of music. Third, for those who have a large number of vocal cavities, which are in a non-dominant position in the drama music, it is intended to be carried out step by step in the further study, which will not be considered for the time being; Fourth, there are many kinds of Chinese opera, the vocal cavity is extremely complex, not one person can be clarified in a short period of time. In this paper, I would like to explore some of the sound cavity, throwing bricks to attract jade. And this topic as the author's future specialties. According to the records of the main vocal cavities of Chinese opera music integration and the objective law of the shape and structure of opera music, this paper divides the opera vocal cavity into three types. That is: national propagation cavity; regional propagation cavity; non-propagating sound cavity. Among the major types, the group cavity and the single cavity were identified respectively.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J617
【引证文献】
相关期刊论文 前1条
1 吉莉;;说唱还是歌舞——论河南曲剧的声腔类别[J];戏剧文学;2012年06期
相关博士学位论文 前3条
1 韩启超;音乐在戏曲继替变革中的作用[D];南京艺术学院;2008年
2 郭威;曲子的发生学意义[D];中国艺术研究院;2010年
3 郭小青;《唱论》辨析[D];中国艺术研究院;2012年
相关硕士学位论文 前4条
1 王欣欣;山东诸城茂腔之研究[D];山东师范大学;2010年
2 李红竹;永州花鼓戏唱腔研究[D];四川师范大学;2012年
3 张冠岚;二十世纪二、三十年代的戏曲声腔研究[D];中国戏曲学院;2013年
4 连一苹;福建莆仙文化区的胡琴类乐器研究[D];福建师范大学;2013年
，本文编号：2477470
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