迪帕克艺术歌曲和声技法初探
发布时间：2019-05-28 16:51
【摘要】：提及十九世纪下半叶法国艺术歌曲作曲家，德彪西和福雷被人们所熟知，还有一位极具才华的歌曲作曲家便是亨利·迪帕克。他的艺术歌曲忠实于诗歌所要表达的意境，音乐风格多变，但国内对其艺术歌曲和声技法的研究较少。本文将从和声技法的角度，分析迪帕克现存的艺术歌曲，研究迪帕克在如何运用传统和声语言的同时最大限度地挣脱传统和声的束缚，，从而更好地把握十九世纪下半叶法国艺术歌曲的特色。
[Abstract]:Referring to French art song composers in the second half of the nineteenth century, Debussy and Frey were well known, and one of the most talented songcomposers was Henry Dipak. His art songs are faithful to the artistic conception and music style to be expressed in poetry, but there are few studies on his art songs and vocal techniques in China. From the point of view of harmony techniques, this paper will analyze the existing art songs of Dipak, and study how Dipak can break away from the shackles of traditional harmony as much as possible while using the traditional harmony language. In order to better grasp the characteristics of French art songs in the second half of the 19 th century.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614.1
本文编号：2487216
[Abstract]:Referring to French art song composers in the second half of the nineteenth century, Debussy and Frey were well known, and one of the most talented songcomposers was Henry Dipak. His art songs are faithful to the artistic conception and music style to be expressed in poetry, but there are few studies on his art songs and vocal techniques in China. From the point of view of harmony techniques, this paper will analyze the existing art songs of Dipak, and study how Dipak can break away from the shackles of traditional harmony as much as possible while using the traditional harmony language. In order to better grasp the characteristics of French art songs in the second half of the 19 th century.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J614.1
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本文编号：2487216
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