论二胡演奏中的“动”与“静”
发布时间：2019-05-28 17:40
【摘要】：本文从哲学角度出发，将运动与静止的概念引入二胡演奏，结合演奏实践，主要从思维、气息、动作、音响四个层面入手，阐述了“动”与“静”的科学内涵，，通过哲学中的动静辩证关系，指出相对静止对于绝对运动的特殊意义，以及从“静”看“动”认识二胡演奏的逻辑，最后理论联系实践，重点研究动静关系问题的现实运用，分析如何正确认识思维、气息、动作、音响运动的规律。
[Abstract]:From the philosophical point of view, this paper introduces the concepts of movement and stillness into erhu playing, combined with playing practice, mainly from four aspects of thinking, breath, action and sound, and expounds the scientific connotation of "movement" and "stillness". Through the dialectical relationship between movement and movement in philosophy, this paper points out the special significance of relative stillness to absolute motion, and the logic of recognizing erhu playing from the point of view of "stillness". Finally, the theory links with practice and focuses on the practical application of the problem of dynamic and static relationship. This paper analyzes how to correctly understand the laws of thinking, breath, action and sound movement.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J632.21
本文编号：2487234
[Abstract]:From the philosophical point of view, this paper introduces the concepts of movement and stillness into erhu playing, combined with playing practice, mainly from four aspects of thinking, breath, action and sound, and expounds the scientific connotation of "movement" and "stillness". Through the dialectical relationship between movement and movement in philosophy, this paper points out the special significance of relative stillness to absolute motion, and the logic of recognizing erhu playing from the point of view of "stillness". Finally, the theory links with practice and focuses on the practical application of the problem of dynamic and static relationship. This paper analyzes how to correctly understand the laws of thinking, breath, action and sound movement.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J632.21
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本文编号：2487234
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