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中国风格视唱作品的创作与教学探索

发布时间:2019-05-30 03:22
【摘要】:随着近年来视唱练耳学科的飞速发展及视唱练耳音乐会地位的提高,面对目前视唱练耳教学所使用的教材内容及视唱练耳音乐会曲目的选择等种种问题和不足,本文结合笔者在研究生期间创作的具有中国风格的视唱作品,从创作思路、手法等多个方面来谈如何创作集技术性、民族性、时代性、艺术性于一身的视唱作品;并从视唱练耳训练的目的、音乐的思想及艺术性等方面挖掘带伴奏单声部视唱、二声部视唱、合唱等不同形式的视唱作品的创作手法;同时通过笔者的教学实践,提出了具有中国风格的视唱创作作品在教学中的作用、运用范围及教学重点。
[Abstract]:With the rapid development of the subject of solfeggio and the improvement of the status of solfeggio concert in recent years, there are many problems and shortcomings in the teaching materials used in solfeggio teaching and the choice of music repertoire of solfeggio concert. Based on the visual singing works with Chinese style created by the author during the graduate period, this paper discusses how to create visual singing works which combine technical, national, contemporary and artistic features from many aspects, such as creative ideas, techniques and so on. From the aspects of the purpose of solfeggio training, the thought and artistry of music, and so on, the author excavates the creative techniques of different forms of visual singing works, such as singles, dichotomous singles, chorus and so on. At the same time, through the author's teaching practice, this paper puts forward the function, application scope and teaching focus of visual singing creation works with Chinese style in teaching.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J613.1-4

【参考文献】

相关期刊论文 前2条

1 白翎;展示教学成果的一种独特形式——视唱音乐会述评[J];艺术探索;2002年S2期

2 赵培文;;迷人的“中国风”是一个谜——“我对中国音乐风格的理解”学术沙龙记实[J];音乐爱好者;1988年01期



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