浅析普罗科菲耶夫的三首钢琴改编曲的艺术特征

发布时间：2019-05-30 07:36

【摘要】：普罗科菲耶夫是20世纪苏联著名的作曲家和钢琴家,一生经历了三个阶段,即求学时期,侨居国外时期及回国定居时期。与此同时,他的创作也在这三个阶段中形成了三种不同的音乐风格。他的创作范围极为广泛,写有歌剧、舞剧、戏剧和电影配乐、大合唱协奏曲、室内乐、歌曲以及为数不少的钢琴独奏曲。其中,他又将自己的一部分作品进行了改编,创作出不少优秀的钢琴改编曲,这些改编曲中,有的是根据歌剧改编,有的是根据芭蕾舞剧改编,还有些则是根据电影配乐改编。本文从普罗科菲耶夫的钢琴改编曲中挑选出三首各具特色上的改编曲,分别是根据歌剧《三个橘子之恋》、芭蕾舞剧《罗密欧与朱丽叶》《灰姑娘》进行改编的。文章首先从钢琴改编曲的发展历史开始分析,通过各个不同的音乐时期的思想文化和社会环境的变化来论述改编曲在不同发展阶段的一些不同的发展状态。从而让读者对钢琴改编曲有一个大致上的了解；然后从第二章开始,针对普罗科菲耶夫本人,先是介绍他的一些生平经历和创作,再是介绍他的钢琴作品的大致情况,逐渐过渡推引到钢琴改编曲上,以一个整体的、横向的角度来分析普罗科菲耶夫的的音乐风格走向,从而循序渐进地归纳整理出普罗科菲耶夫钢琴改编曲的总体风格特征；在接下来第三章,又根据不同时期的普罗科菲耶夫的不同创作风格,选取了三首风格迥异的钢琴改编曲作为代表,通过对每一首改编曲的原曲的介绍,改编的原因,改编的方式,总谱与改编曲的对比,以及演奏技巧的研究,分析得出不同改编曲所显露出来的不同风格倾向,也是从纵向的角度将改编曲的创作风格进行对比；最后,以普罗科菲耶夫的钢琴改编曲为切入点,阐述钢琴改编曲在音乐传承方面的影响和意义的同时,也呼吁大家采取一种严谨求学的态度,从而更好地促进钢琴改编曲的健康发展。
[Abstract]:Prokofyev was a famous composer and pianist in the Soviet Union in the 20th century. He went through three stages in his life, namely, the period of studying, the period of living abroad and the period of returning to China to settle down. At the same time, his creation also formed three different music styles in these three stages. He has a wide range of works, including opera, dance drama, drama and film soundtrack, chorus Concerto, chamber music, songs and a large number of piano solos. Among them, he adapted some of his works and created a lot of excellent piano adaptations. some of these adaptations were based on opera, some on ballet and some on film soundtrack. In this paper, three adaptations with their own characteristics are selected from Prokofyev's piano adaptations, which are adapted according to the opera "three Orange Love" and the Ballet "Romeo and Juliet". This paper begins with the analysis of the development history of piano adaptation, and discusses some different development states of piano adaptation in different stages of development through the changes of ideology, culture and social environment in different music periods. In order to let the reader have a general understanding of the piano adaptation; Then, from the second chapter, for Prokofyev himself, first he introduces some of his life experience and creation, and then introduces the general situation of his piano works, which is gradually introduced to the piano adaptation, as a whole. From the horizontal point of view, this paper analyzes the trend of Prokofyev's music style, so as to summarize and sort out the overall style characteristics of Prokofyev's piano adaptation step by step. In the next chapter, according to the different creative styles of Prokofyev in different periods, three piano adaptations with very different styles are selected as the representatives. Through the introduction of the original music of each adaptation, the reasons for the adaptation. According to the way of adaptation, the comparison between the total score and the adapted music, as well as the research of playing skills, the different styles and tendencies of different adaptations are analyzed, and the creative styles of the adapted music are compared from the vertical point of view. Finally, taking Prokofyev's piano adaptation as the starting point, this paper expounds the influence and significance of piano adaptation in music inheritance, and also calls on everyone to adopt a rigorous attitude of studying. So as to better promote the healthy development of piano adaptation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J624.1

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