古琴声学特性与音响表现关系解析
发布时间：2019-08-07 10:08
【摘要】：正乐器音响是主观审美要求的外化表现。特定的文化意识、审美要求寻求与之适应的乐器音响表现,然后再依据音响表现的具体需要,对乐器声学特性及演奏方法做出符合要求的限定。古人有云:"八音之中,惟弦为最,而琴为之首"~①,明代思想家李贽亦云:"余谓琴者心也,琴者吟也,所以吟其心也。"~②古琴成为历代文人墨客抒情表意的首选乐器,不仅与古琴深厚的文化内涵与寄寓之上的精神依托有关,乐器自身独特的声学特性也是重要因素之一。目前,对古琴音响表现及审美特征的研究已取得了非
[Abstract]:The sound of positive musical instruments is the externalized expression of subjective aesthetic requirements. Specific cultural consciousness and aesthetic requirements seek to adapt to the sound performance of musical instruments, and then according to the specific needs of sound performance, the acoustic characteristics and playing methods of musical instruments are limited. The ancients have clouds: "of the eight notes, the string is the most, and the piano is the first." Li Zhi, a thinker in the Ming Dynasty, said, "Yu is the heart of the piano, and the piano is singing, so it is also the first choice of the lyric expression of the literati in the past dynasties, which is not only related to the profound cultural connotation and spiritual support of the ancient Qin, but also to the unique acoustic characteristics of the musical instrument itself." the ancient piano has become the first choice for the lyric expression of the literati in the past dynasties, and it is not only related to the profound cultural connotation and spiritual support of the ancient Qin, but also to the unique acoustic characteristics of the musical instrument itself. At present, the research on the sound expression and aesthetic characteristics of Guqin has made a difference.
【作者单位】： 新疆艺术学院音乐系;
【分类号】：J632.31
[Abstract]:The sound of positive musical instruments is the externalized expression of subjective aesthetic requirements. Specific cultural consciousness and aesthetic requirements seek to adapt to the sound performance of musical instruments, and then according to the specific needs of sound performance, the acoustic characteristics and playing methods of musical instruments are limited. The ancients have clouds: "of the eight notes, the string is the most, and the piano is the first." Li Zhi, a thinker in the Ming Dynasty, said, "Yu is the heart of the piano, and the piano is singing, so it is also the first choice of the lyric expression of the literati in the past dynasties, which is not only related to the profound cultural connotation and spiritual support of the ancient Qin, but also to the unique acoustic characteristics of the musical instrument itself." the ancient piano has become the first choice for the lyric expression of the literati in the past dynasties, and it is not only related to the profound cultural connotation and spiritual support of the ancient Qin, but also to the unique acoustic characteristics of the musical instrument itself. At present, the research on the sound expression and aesthetic characteristics of Guqin has made a difference.
【作者单位】： 新疆艺术学院音乐系;
【分类号】：J632.31
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相关期刊论文 前6条
1 胥必海;;非连奏法共振频率探究[J];黄钟(中国.武汉音乐学院学报);2010年01期
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