宋代墓葬装饰研究

发布时间：2018-01-21 20:28

本文关键词： 宋代墓葬装饰分区与分期渊源功能与意义　出处：《山东大学》2006年博士论文　论文类型：学位论文

【摘要】：近年来，古代墓葬装饰研究逐渐得到考古学及美术史界的重视，继汉、唐之后，宋代是墓葬装饰发展的又一个高峰，但是面对丰富的考古资料，研究工作则相对滞后和薄弱。本文试图在系统整理宋代砖石雕壁画墓资料的基础上，进行分区与分期研究，建立宋墓装饰发展的时空框架，总结其时代性及区域性特点，探讨其渊源问题，结合历史文献及相关图像资料对典型题材及图像系统进行解读，并尽可能讨论它在文化史、社会史层面的意义。本文针对一段较长历史时期的墓葬装饰进行综合研究，因此研究方法的设计大体分以下几个层次。一是利用传统考古学的类型学方法对墓葬资料进行分类梳理，寻找其阶段性和地域性变化，在此基础上进行分期与分区，这是最基本的工作，为之后的讨论建立一个时空的平台。二是结合文献及相关材料，探讨宋墓装饰的发展过程及渊源等问题。三是运用图像学等方法对墓葬装饰的功能与意义进行解读，从而复原图像与墓葬本身的关系，以及图像与丧葬意识和行为过程的关系。最后将墓葬装饰研究与宋代社会、文化相链接，以期对复原当时的社会、文化有所帮助。全文共有八个部分，首先在绪论中对选题意义、研究对象及概念界定、研究目的及方法进行说明。宋墓装饰着重体现了民间层面的文化艺术和行为观念，对它的研究必将弥补宋史中对民间层面的社会史、文化史和美术史研究的不足。第一章介绍了宋代砖石雕壁画墓的发现情况，并对宋墓装饰研究进行了学术史的简要回顾。本文搜集到已发表的宋代砖石雕壁画墓共240余座，包括发掘报告推测为宋末金初的一部分中原北方地区墓葬，其中以近30年内的发现较为集中。尽管宋墓资料如此丰富，但无论是考古学还是美术史的研究者都没有将过多的目光投向宋墓装饰，颇具研究性的《白沙宋墓》考古报告和新近出版的《宋元明考古》中的相关论述是目前国内较全面地研究宋墓装饰的代表。第二章宋墓装饰的分类研究主要以墓葬形制、装饰布局及内容为分类依据，分类目的是将繁杂的资料条理化，总结各类型的时间、空间分布特点，为分区与分期提供具体参照。墓葬形制分类首先按照建筑材料不同分为砖室墓、石室墓、砖石混筑墓、土洞墓四大类，每一类又按照墓室多少分为单室墓、双室墓、多室墓，之后再依据墓室平面形状、墓室排列方式、墓室尺寸大小、墓顶形制等参数划分型、式，以体现墓葬在形制、规模等方面的具体差异。墓葬装饰的布局分类十分概括，主要是体现装饰在墓葬中分布范围的大小及位置差异。墓葬装饰内容的分类尽量避免简单而生硬的分割，在考虑直观上造型区别的同时，更多兼顾其
[Abstract]:In recent years, the ancient tombs decoration research gradually received the attention of archaeology and art history. After Han and Tang dynasties, Song Dynasty was another peak of tomb decoration development, but faced with rich archaeological materials. The research work is relatively lagging and weak. On the basis of systematically sorting out the tomb data of brick and stone carvings and murals of Song Dynasty, this paper attempts to study the division and stages, and establish the space-time framework for the development of tomb decoration in Song Dynasty. Summarize its epoch and regional characteristics, discuss its origin, combining with historical documents and related image materials to interpret the typical subjects and image system, and discuss it in the cultural history as much as possible. The meaning of social history. In this paper, a long historical period of tomb decoration for a comprehensive study. Therefore, the design of the research method can be divided into the following levels: first, the traditional archaeological typology method is used to sort out the graveyard data, to find its stage and regional changes. On this basis, staging and partitioning, which is the most basic work, for the subsequent discussion of the establishment of a space-time platform, the second is to combine literature and related materials. This paper discusses the development process and origin of tomb decoration in Song Dynasty. Thirdly, it interprets the function and significance of tomb decoration by means of imageology, so as to restore the relationship between image and tomb itself. Finally, it links the study of burial decoration with the society and culture of Song Dynasty, in order to help restore the society and culture at that time. There are eight parts in the full text, first of all in the introduction to the significance of the topic, research object and definition of the concept. The purpose and method of the study are explained. The tomb decoration of Song Dynasty emphasizes the folk culture and art and the concept of behavior, and its research will make up for the social history of the folk level in the history of Song Dynasty. Lack of research on cultural history and art history. The first chapter introduces the discovery of brick and stone mural tombs in Song Dynasty, and briefly reviews the academic history of the study on the decoration of Song tombs. This paper collects more than 240 published tombs of brick and stone carvings in Song Dynasty. Including excavation reports speculated to be part of the northern part of the Central Plains in the late Song Dynasty and the early Jin Dynasty, the discovery of which has been concentrated in the past 30 years, despite the abundance of data on the Song Tombs. However, no matter archaeology or art history researchers did not focus too much attention on the tomb decoration of the Song Dynasty. The archaeological report of Bai Sha Song Tomb and the related exposition in Song Yuan Ming Dynasty Archaeology published recently are the representatives of the comprehensive study of Song Dynasty tomb decoration in China. In the second chapter, the classification of tomb decoration in Song Dynasty is mainly based on tombs, decorative layout and content. The purpose of classification is to sum up the time and space distribution characteristics of various types of materials. The classification of tombs is firstly divided into four categories according to different building materials: brick tomb, stone tomb, masonry tomb, earth cave tomb, and each type is divided into single room tomb according to the number of tombs. Double-chamber tomb, multi-compartment tomb, and then according to the shape of the tomb, the way of arrangement, the size and size of the tomb, the shape of the top of the tomb and other parameters, the formula to reflect the tomb in shape. The size of the specific differences. Tombs decoration layout classification is very general. It mainly reflects the difference of the distribution range and position of decoration in tombs. The classification of the contents of tombs decoration avoids the simple and stiff segmentation as far as possible, while considering the differences in visual modeling, more attention is given to the classification of the decorative contents of tombs at the same time.
【学位授予单位】：山东大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：K878.8

【引证文献】