吉祥图案与传统屋脊装饰文化

发布时间：2018-01-24 17:44

本文关键词： 吉祥屋脊装饰传统文化　出处：《郑州轻工业学院》2013年硕士论文　论文类型：学位论文

【摘要】：屋脊装饰图案同传统吉祥图案一样都是通过谐音、寓意和变形的手法,通过象征吉祥的符号,表达人们对生活的期盼。是数千年文化积累吉祥观的一种表现形式,它蕴含着丰富的文化道德内涵、民族审美情趣和民族思维模式。如果说吉祥图案是一部中国吉祥美术史,那么建筑装饰就是这部美术史中最有文化特色的部分。本文从分析吉祥图案入手,对屋脊装饰图案进行整理和总结,并在此基础上分析屋脊装饰文化产生的社会和文化背景。绪论部分阐述了吉祥图案和建筑屋脊的研究现状以及研究的文化价值和意义,在肯定前人成果的同时,提出自己的研究思路,除了绪论和结语外,正文由五部分组成。论文第一部分概念性介绍吉祥图案和屋脊装饰,是文章写作的基础。论文第二部分介绍了吉祥意识、吉祥观以及建筑装饰的发展和表现手法,阐述了吉祥观的形成,以及各时期变形的原因,建筑装饰的构图手法等内容,这些是论文的写作背景。论文第三部分叙述屋脊装饰、屋脊的分类和脊饰图案的内涵,是对屋脊现象进行细致的解读。论文第四部分是对脊饰中渗透的文化进行细致的分析,透过这些文化现象,更加细致的了解脊饰的内涵。论文第五部分是对吉祥图案的生活追求和视觉表现进行分析,是吉祥图案中文化的具体表现,并对吉祥图案和屋脊装饰的发展前景进行了简单的分析。屋脊装饰虽然不能直接运用到建筑中,但是,屋脊中的吉祥图案的象征等手法可以为提供现代设计一种借鉴,把生活空间打造的更有“人情味”。结语中,简写了笔者在写作中的变化和以后的奋斗目标,总结了屋脊装饰对现代设计的启示,虽然屋脊不能直接应用到现代的建筑装饰中,但是脊饰这种思维模式可以对现代装饰有一种借鉴作用,吉祥观也对现在高节奏生活的人们有一种寄托感,在生活中也可以批判的学习和继承。
[Abstract]:Roof decoration patterns and traditional auspicious patterns are through homophony, meaning and deformation techniques, through the symbol of auspicious symbols. Expressing people's expectation of life is a form of expression of the auspicious view of cultural accumulation for thousands of years, which contains rich cultural and moral connotations. National aesthetic taste and national thinking mode. If auspicious pattern is a Chinese auspicious art history, then architectural decoration is the most cultural part of this art history. This paper starts with the analysis of auspicious patterns. On the basis of the arrangement and summary of roof decoration patterns, the social and cultural background of roof decoration culture is analyzed. The introduction part expounds the research status quo of auspicious patterns and architectural ridges and the cultural value and significance of the research. While affirming the previous achievements, it puts forward its own research ideas, except the introduction and conclusion. The text consists of five parts. The first part of the paper is a conceptual introduction of auspicious patterns and roof decoration, which is the basis of the article. The second part of the paper introduces the auspicious consciousness, auspicious view and the development and expression of architectural decoration. This paper expounds the formation of auspicious view, the causes of deformation in each period, the composition techniques of architectural decoration, and so on. These are the background of the thesis. The third part of the thesis describes the decoration of the roof, the classification of the ridge and the connotation of the pattern of ridge decoration, which is a detailed interpretation of the phenomenon of the roof. Part 4th of the paper is a careful analysis of the culture permeated in the ridge decoration. Through these cultural phenomena, a more detailed understanding of the connotation of ridge ornaments. Part 5th is to analyze the life pursuit and visual performance of auspicious patterns, is the specific expression of culture in auspicious patterns. And the auspicious pattern and the development prospect of the roof decoration are analyzed simply. Although the roof decoration can not be directly used in the building, but. The symbol of auspicious patterns in the roof can provide a reference for modern design and make the living space more "human". In the conclusion, the author briefly describes the changes in the writing and the future goals, summarizes the inspiration of roof decoration to modern design, although the roof can not be directly applied to modern architectural decoration. But the thinking mode of ridge decoration can be used for reference to modern decoration, auspicious view also has a kind of sustenance feeling to people living in high rhythm now, and can also be critically studied and inherited in life.
【学位授予单位】：郑州轻工业学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU238;J522

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