浅论对中国工笔人物画创作中的装饰美感的体悟

发布时间：2018-01-25 13:20

本文关键词： 中国工笔人物画装饰性形式意境传统　出处：《西安美术学院》2008年硕士论文　论文类型：学位论文

【摘要】： 新时期以来工笔人物画出现复兴之势,进入九十年代以后,这一势头有增无减,大批画家投入精心创作,中国工笔人物画以蓬勃的生机,创造着中国工笔人物画的新秩序。工笔画要解决的不只是绘画的表现形式,重要的是绘画要表现什么样的情感,什么样的内心感受。艺术的创新必须体现新的情感对作品的渗透。工笔人物画的发展是一个从不成熟到成熟,从无序到有序,从多元辐射到逐步整合的过程。从近年工笔画的大展中可以看出,在当今工笔人物画自身,已初步完成在创作群体、绘画观念和样式手法上的新组合。装饰美术一直都是代表每一个民族最具有传统意味的艺术表现。装饰美术不仅是一个民族或国家极为重要的古代文化资产,也是传统艺术思想与美学的深刻表现。它反映了各时期的当时人们的思想观念与审美意识。中国画是世界绘画艺术中最讲究装饰手法的一种,装饰性可以说是中国画的特性,甚至被西方国家称为“装饰艺术”。装饰性是形式美的一部分,我们研究中国画装饰性的目的就在于此。本文从装饰性艺术的源头来作为文章的起点,分四部分,通过对形式与意境的理解,得到了一些创作体悟,并对当今工笔人物画的继承与创新做了一些浅显的论述,得出的结论是:中国工笔人物画是站在继承传统又发展传统,借鉴外来文化又不同于外来文化的艺术交汇点上。中国画要多样化,但不要改造的不象自己,要把握度。“立足中华,面向世界”。我们要用一种国际的眼光审视一切,用深厚的传统文化做底蕴,关注当前的生活和人文背景,善于动脑筋吸收一些新东西,形式和艺术要高度统一,遵循“外师造化,中得心源”这一东方艺术的千古至理。在民族性的基础上寻求发展,既要尊重民族艺术的独特性,体现中华民族的审美心理,又要反映现代人的内在精神追求,才是我们发展的必由之路。
[Abstract]:Since the new period of fine brushwork figure painting appeared the trend of revival, after 90s, this momentum has been increasing, a large number of painters put into meticulous creation, Chinese meticulous figure painting to flourish vitality. To create a new order of Chinese meticulous figure painting. Fine brushwork to solve not only the form of expression of painting, it is important to painting to show what kind of emotion. What kind of inner feelings. The artistic innovation must reflect the new emotion permeates the work. The development of meticulous figure painting is a process that never matures to mature, from disorder to order, from multiple radiation to gradual integration. Has initially completed in the creative community, painting concept and style on the new combination. Decorative art has always been the most traditional representation of every nation. Decorative art is not only an important ancient cultural asset of a nation or a country. It is also a profound expression of traditional artistic thought and aesthetics. It reflects the ideology and aesthetic consciousness of people at that time. Chinese painting is one of the most exquisite decoration techniques in the world painting art. Decoration can be said to be the characteristic of Chinese painting, even called "decorative art" by western countries. Decoration is a part of formal beauty, which is the purpose of our study of decorative nature of Chinese painting. This article from the source of decorative art as the starting point of the article, divided into four parts, through the understanding of form and artistic conception, got some creative understanding. And the inheritance and innovation of modern fine brushwork figure painting has made some simple exposition, and the conclusion is: Chinese meticulous figure painting is standing in inheriting tradition and developing tradition. Draw lessons from foreign culture and different from foreign culture on the intersection of art. Chinese painting should be diversified, but do not transform like themselves, to grasp the degree. "based on China." "face the world." We should look at everything from an international perspective, use the profound traditional culture as the inside story, pay attention to the current life and cultural background, and be good at using our brains to absorb some new things. Form and art should be highly unified, follow the oriental art of "outside teachers, heart source," the oriental art, seek development on the basis of nationality, we should respect the uniqueness of national art. The only way to our development is to reflect the aesthetic psychology of the Chinese nation and the inner spiritual pursuit of modern people.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J212

【引证文献】