扬州古民居福祠装饰艺术赏析

发布时间：2018-02-01 02:08

  本文关键词： 扬州古民居 福祠 三段式装饰　出处：《郑州轻工业学院学报(社会科学版)》2012年05期 　论文类型：期刊论文

【摘要】：作为扬州古民居建筑装饰艺术的一个独特地域性符号,福祠因其祭祀性、主人身份地位的标志性、建筑空间的视觉引导性及砖刻的艺术性等特质而占有重要地位。扬州古民居福祠总体上依据中国传统建筑立面装饰形式,形成一个自下而上的三段式装饰。在装饰纹样的选用上,传统吉祥纹样与祭祀纹样和谐共存是福祠装饰艺术的一大特色。福祠与宅园合一的整体布局一道,彰显出扬派建筑的质朴与从容,具有中国传统设计文化的丰富内涵和极高的地域审美文化价值,是不可多得的古代建筑装饰艺术样本。诠释扬州古民居福祠装饰艺术对中国当代设计的语意表达及扬州古民居保护和修缮均具有重要启示意义。
[Abstract]:As a unique regional symbol of the decorative art of Yangzhou ancient residential buildings, the Forbidden Temple is the symbol of the status of the owner because of its sacrificial nature. The visual guidance of architectural space and the artistry of brick carvings occupy an important position. Yangzhou ancient houses and shrines are generally based on the Chinese traditional architectural facade decoration form. Form a bottom-up three-section decoration. In the selection of decorative patterns, the traditional auspicious patterns and sacrificial patterns coexist harmoniously is a major feature of the decorative arts. It shows the simplicity and leisurely of Yangpai architecture and has the rich connotation of Chinese traditional design culture and the extremely high value of regional aesthetic culture. It is a rare sample of ancient architectural decoration art. The interpretation of Yangzhou ancient folk residence temple decoration art is of great significance to the expression of Chinese contemporary design and the protection and repair of Yangzhou ancient folk residence.
【作者单位】： 扬州工业职业技术学院建筑工程系;
【基金】：江苏省教育厅哲学社会科学基金项目(09SJB720017)
【分类号】：TU241.5;TU-80
【正文快照】： 中国古民居营建中,聚族而居的村落常通过建祠堂来满足族人祭祀活动的需要,城市宅院一般选择厅堂作为祭祀场所。明清时期扬州民居在营建中独辟蹊径,于宅院入口天井处设类似于佛龛的福祠,作为宅院主人早晚、各种节日、婚丧嫁娶等活动祭祀先祖神灵的场合。这一独特的地域性建筑，

本文编号：1480624