福建闽中民居室内装饰艺术的研究

发布时间：2018-02-02 22:30

本文关键词： 闽中民居室内装饰艺术传承创新　出处：《中南林业科技大学》2011年硕士论文　论文类型：学位论文

【摘要】：全球化进程为世界带来发展的同时,也导致了“文化大熔炉”现象：各国文化逐渐趋同而地域文化却逐渐走向消亡。我国现代设计日益“仿外”甚至“崇外”的现象不仅导致传统文化逐渐丧失,也导致了我国现代设计屡无本土特色。作为福建民居的分支的闽中民居拥有独特的室内装饰艺术,非常符合当下所提倡的低碳设计理念,而对其进行的研究几乎处于空白状态。本文以福建闽中民居室内装饰艺术为研究对象,在借鉴既有研究成果的基础上,结合文献研究法,从自然环境和人文环境的视角出发,对福建闽中民居的建筑与室内进行了田野调查,分析了文化因素与自然条件对福建闽中民居的影响,发现福建闽中民居主要以木构架作为整个民居的承重结构,以木板墙作为室内空间的分隔体。通过对所拍摄的大量福建闽中民居室内装饰图案的整理,研究了福建闽中民居室内装饰图案的题材为植物类、动物类等七类题材且这些题材多寓意吉祥、多福、多寿,其构图手法为平面构图及散点透视构图,室内装饰用材多采用木材、竹材,室内装饰的手法主要为木雕、石雕、彩绘等；并对闽中民居室内的格局与各界面装饰包括立面、顶棚、地面的装饰及室内陈设与家具装饰艺术的装饰用材与装饰纹样等方面进行了探讨。此外,从自然因素和人为因素两个方面分析了福建闽中民居室内装饰艺术遭到破坏的原因,并以此提出对福建闽中民居室内装饰艺术保护的相关建议。同时,还从传统文化与现代文化之间的联系的角度出发,探讨了福建闽中民居室内以寓意吉祥为主和以环保低碳为基础的装饰理念及以木雕、石雕等为主的装饰语言在现代室内设计中进行直接利用和间接利用的传承方法,并提出了在现代室内设计中将闽中民居室内装饰元素进行“平面化”应用等创新途径。
[Abstract]:The process of globalization has brought development to the world at the same time. It also leads to the phenomenon of "cultural melting pot": the culture of different countries gradually converges while the regional culture gradually dies. The phenomenon that modern design of our country is increasingly "imitating" and even "worshipping" not only leads to the gradual loss of traditional culture. As a branch of Fujian folk houses, Minzhong houses have a unique interior decoration art, which is very consistent with the concept of low-carbon design advocated at present. But the research on it is almost blank. This paper takes the interior decoration art of the folk houses in the middle of Fujian Province as the research object. On the basis of the reference of the existing research results, combined with the literature research method, from the perspective of the natural environment and human environment. This paper makes a field investigation on the architecture and interior of the folk houses in the middle of Fujian Province, analyzes the influence of cultural factors and natural conditions on the houses in the middle of Fujian Province, and finds out that the wooden frame is the main bearing structure of the houses in the middle of Fujian Province. Taking plank wall as the partition of indoor space, through the arrangement of a large number of interior decoration patterns of Fujian central Fujian dwelling house, the theme of the interior decoration pattern of Fujian central Fujian dwelling house was studied as plant type. Animals and other seven types of subjects and these themes more auspicious, more lucky, more longevity, its composition techniques for plane composition and scattered point perspective composition, indoor decorative materials used more wood, bamboo. Interior decoration mainly for wood carving, stone carving, painting and so on; The interior pattern and interfacial decoration of folk houses in central Fujian are discussed, including facade, ceiling, floor decoration, decoration materials and decorative patterns of interior furnishings and furniture decoration art, etc. In addition. This paper analyzes the causes of the destruction of the interior decoration art of the folk houses in the middle of Fujian Province from the two aspects of natural and human factors, and puts forward the relevant suggestions for the protection of the interior decoration art of the folk houses in the middle of Fujian Province at the same time. Also from the point of view of the connection between traditional culture and modern culture, the paper discusses the decoration concept and wood carving in Fujian Province, which is based on auspicious meaning and environmental protection and low carbon. Stone carving and other decorative language in modern interior design for direct use and indirect use of inheritance methods. The paper also puts forward some innovative ways to apply the interior decoration elements of central Fujian dwelling in modern interior design.
【学位授予单位】：中南林业科技大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：TU241.5;TU-80

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