试论耀州窑陶瓷装饰纹样的民俗风格

发布时间：2018-02-04 02:38

本文关键词： 耀州窑造器成纹陶瓷装饰纹样民俗风格传承与发展　出处：《西安美术学院》2008年硕士论文　论文类型：学位论文

【摘要】： 耀州窑是我国北方烧造陶瓷的历史名窑之一,它以独具风格特色的青瓷刻花和黑釉剔花、划花、兰花以及印花等,成为北方陶瓷的代表。其装饰纹样是在记录和表达了中华先民的生存经验和文化认识的基础上,以造器成纹的方式,反映出中国人在观察、记录、表现和思维等方面的诸多文化模式,也体现了古人在纹饰创造、发展方面的民族特性和聪明才智。陶瓷作为一门科学和艺术完美结合的产物,是中国文明的象征,耀州窑陶瓷以其悠久的烧造历史、丰富的品种和特有的装饰纹样传承着千年不熄的民俗文化,自然的渗透于观者的感受之中。本文从耀州窑形成的原因与文化背景出发,重点对关于其陶瓷纹饰的文化渊源、造型及民俗纹饰特征、民俗纹饰手法、文化属性及民间美术对耀州窑陶瓷民俗饰样的影响进行研究,并对陶瓷民俗纹样的文化寓意进行一定的解读。
[Abstract]:Yaozhou Kiln is one of the famous kilns in the north of China. It has unique style of celadon carving and black glaze shaving, scratching, orchid and printing, etc. Become the representative of Northern Ceramics. Its decorative patterns are recorded and expressed on the basis of the survival experience and cultural understanding of the Chinese ancestors, in the way of making vessels to form patterns, reflecting the observation and recording of the Chinese. Many cultural models such as expression and thinking also reflect the national characteristics and intelligence of the ancients in creating and developing ornaments. Ceramics as a product of the perfect combination of science and art. Is the symbol of Chinese civilization, Yaozhou kiln ceramics with its long history of burning, rich varieties and unique decorative patterns of inheritance of thousands of years of folk culture, natural infiltration in the viewer's feelings. Starting from the reasons and cultural background of the formation of Yaizhou kiln, this paper focuses on the cultural origin, modeling, folk decoration features and folk decoration techniques of its ceramic ornaments. The influence of cultural attribute and folk art on the decoration of Yao Zhou kiln ceramic folklore is studied, and the cultural implication of ceramic folklore pattern is interpreted.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：K876.3;J527

【相似文献】