唐代纹样在现代室内装饰设计中的应用与研究

发布时间：2018-02-10 16:09

本文关键词： 唐代纹样现代室内装饰设计立体化文化传承中国特色　出处：《西安建筑科技大学》2011年硕士论文　论文类型：学位论文

【摘要】：随着社会的进步,经济的繁荣,各国文化的相互交融,我国的室内装饰艺术得到了蓬勃的发展。可是事情都具有两面性,我国室内装饰艺术在吸收各国文化的同时,也淡化了自己本身的特点,我们要想走向世界就要在发展的过程中保留自己的特色文化,因为只有民族的才是世界的,那么我们需要一种本土文化、一种具有中国特色文化的艺术形式与室内装饰艺术相结合。唐代国力强盛,疆域统一,政治开明,文化和艺术属于当时世界先进水平。纹样在当时也得到了飞跃的发展,宝相花、牡丹纹、卷草纹、联珠纹等唐代纹样都具有浓郁的中国特色,也具有很强的生命力。它们的图案样式、手法、工艺等在现代室内装饰设计中也常常能够看到。这样的一种艺术形式是需要发扬与传承的,将唐代纹样与现代室内装饰设计相融合,在发扬唐代纹样的同时也可以使现代室内装饰设计更具有本土气息和中国特色。全文以研究唐代纹样在现代室内装饰设计中的应用为目的,分为五部分,逐层分析两者结合的意义与重要性。首先论述了唐代纹样的发展、地位和特征,并举出典型图例加以说明,宝相花、牡丹纹、卷草纹、联珠纹各有特点,这样可以更直观的对它们的情况加以诠释。同时对现代室内装饰设计进行全面的介绍,例举出与唐代纹样有关的设计风格,然后试图以唐代纹样在现代室内装饰设计中存在的原因、存在的条件和带来的影响三方面来证明唐代纹样在室内装饰设计中存在的必要性,并说明具有唐代纹样的室内装饰设计在现代社会中有着一定的社会需求。再接着阐述将现代室内装饰设计和唐代纹样文化融合的方式。最后以实例阐述唐代纹样在现代室内装饰设计中的应用手法和具体应用,并对其应用的方法进行创新。本文以唐代纹样为出发点,探寻其背后所蕴涵的中国文化,结合现代室内装饰设计的实例,理论分析两者结合的效果和影响,并且通过两者文化的融合探讨其应用的具体方法,同时以立体构成为依据对唐代纹样进行立体化表现使其在现代室内装饰设计中的应用方法得到补充与创新,借此弘扬和传承唐代纹样,同时将现代室内装饰设计本土化使其具有中国特色。
[Abstract]:With the progress of the society, the prosperity of economy and the blending of cultures of different countries, the interior decoration art of our country has developed vigorously. However, there are two sides of things, the interior decoration art of our country absorbs the culture of every country at the same time. We also downplay our own characteristics. If we want to go to the world, we must retain our own unique culture in the process of development, because only the national is the world. Then we need a kind of local culture. An art form with Chinese characteristics is combined with interior decoration art. The Tang Dynasty had a strong national strength, unified territory, enlightened politics, culture and art belonging to the advanced level of the world at that time. The patterns of the Tang Dynasty were also developed by leaps and bounds, such as treasure flowers, peony lines, curly grass lines, Lianzhu patterns and other Tang Dynasty patterns have strong Chinese characteristics and strong vitality. Their designs, styles and techniques, Technology and so on in the modern interior decoration design can often be seen. Such an art form is to be carried forward and inherited, the Tang Dynasty patterns and modern interior decoration design fusion, While carrying forward the Tang Dynasty pattern, it can also make modern interior decoration design with local flavor and Chinese characteristics. The purpose of this paper is to study the application of Tang Dynasty pattern in modern interior decoration design. It is divided into five parts, and the significance and importance of the combination of the two are analyzed layer by layer. Firstly, the development, status and characteristics of Tang Dynasty pattern are discussed. And give the typical legend to explain, treasure appearance flower, peony pattern, curly grass grain, United bead grain each has its own characteristics, so it can be more intuitionistic to their interpretation of the situation. At the same time, the modern interior decoration design is introduced comprehensively. This paper gives an example of the design style related to the pattern of the Tang Dynasty, and then attempts to prove the necessity of the existence of the pattern of the Tang Dynasty in the interior decoration design from three aspects: the reason, the condition and the influence of the pattern of the Tang Dynasty in the modern interior decoration design. It also shows that the interior decoration design with Tang Dynasty pattern has certain social demand in modern society. Then it expounds the way of merging the modern interior decoration design with the Tang Dynasty pattern culture. Finally, an example is given to expound the Tang Dynasty pattern. In the modern interior decoration design of the application techniques and specific applications, And the method of its application is innovated. This article takes the Tang Dynasty pattern as the starting point, explores the Chinese culture behind it, combines the modern interior decoration design example, theoretically analyzes the effect and the influence of the two combination. And through the integration of the two cultures to explore the specific methods of its application, and at the same time based on the three-dimensional structure of the Tang Dynasty patterns for three-dimensional performance, so that its application in the modern interior decoration design method to be supplemented and innovative. In order to carry forward and inherit the Tang Dynasty patterns, at the same time the modern interior decoration design localization to make it with Chinese characteristics.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：TU238.2

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