中国古典装饰元素在现代室内设计中的运用研究

发布时间：2018-02-21 17:58

本文关键词： 中国古典元素应用可持续性演变　出处：《沈阳建筑大学》2011年硕士论文　论文类型：学位论文

【摘要】：在国际化交流日趋频繁的今天,中国与世界各国在文化上的交流逐步地加深,中国设计界也正在以海纳百川的姿态吸收着丰富的文化营养。在此过程之中,设计师们往往为了迎合国际化市场的需求与日渐盛行的现代极简主义风格,设计作品一味地趋同,在后现代主义风格的影响之下,中国的传统文化符号与中式古典元素被逐渐地淡忘。因此,使中国古典装饰元素更好地融入现代风格的设计方案,在现代设计之中体现出中国文化的精髓,成为了当代中国设计师们不可推卸的责任。文章针对中国设计行业中存在的上述现象,选取了传统中式风格与现代中式风格的多组案例进行实地调查、分析与研究,并结合中国传统设计的文献典籍,对比古今中外的空间设计方案,总结出了中国古典装饰元素的由具象到抽象,以及其功能与装饰性质相互转变等演变规律,同时提倡以可持续发展的眼光看待中国古典装饰元素的这种演变。在文章的结论之中阐明了在现代设计中运用中国古典装饰元素是对中国悠久文化的传承,同时也是推广中国文化有力手段的鲜明观点。本论文始终围绕着中国古典装饰元素的运用这个主题进行研究,旨在通过将中国古典装饰元素更好地融入现代空间的设计当中,以期提升空间的文化内涵,从而扩大中式风格的影响力,达到推广中国传统文化的目的。全文主体内容共分为五个部分: 第一章绪论部分,对课题研究的目的和意义、国内外同类课题的研究现状及发展趋势做了概括性的介绍。通过现代中式风格设计思想的简要分析引出主体内容,并以此作为研究背景总领全文。第二章首先用两个小节的篇幅介绍了中国古典建筑装饰元素的形式与内容,在第三节当中,通过实例分析总结概括出了中国古典装饰元素的演变规律。第三章是论文表述的重点,在前面各个章节分析论述的基础之上,通过大量的实例,论述了中国古典装饰元素在现代室内设计中的主要表现形式,并针对仿木构架做法的现象向室外化的室内装饰元素过渡,整体性地总结出中式意境的营造方法。第四章通过对混搭现象与后现代设计中的中国古典装饰元素的对比论述,阐明了其在近代时尚设计界中的发展特点与作用,并呼吁以可持续性的观点来对待这种发展现象,同时揭示出了中国古典装饰元素在演化过程中形式与功能的辩证关系。第五章结论部分,得出了在现代室内设计中运用中国古典装饰元素是对中国悠久文化的传承,是推广中国文化有力手段的结论。
[Abstract]:In today's increasingly frequent international exchanges, the cultural exchanges between China and the rest of the world are gradually deepening, and the Chinese design community is absorbing rich cultural nutrients in the form of a hundred rivers in the sea. Designers tend to cater to the needs of the international market and the increasingly popular modern minimalist style, design works blindly converge, under the influence of post-modernism style, Chinese traditional cultural symbols and Chinese classical elements are gradually forgotten. Therefore, the Chinese classical decorative elements are better integrated into the modern style of the design plan, in the modern design reflects the essence of Chinese culture. Has become the contemporary Chinese designers can not shirk the responsibility. In view of the above phenomenon in the Chinese design industry, this paper selects many cases of traditional Chinese style and modern Chinese style to carry on field investigation, analysis and research, and combines the literature and classics of Chinese traditional design. By comparing the spatial design schemes of ancient and modern China and foreign countries, this paper sums up the evolution rules of Chinese classical decorative elements from concrete to abstract, and their functions and decorative properties change each other. At the same time, it is advocated that the evolution of Chinese classical decorative elements should be viewed from the perspective of sustainable development. In the conclusion of the article, it is clarified that the application of Chinese classical decorative elements in modern design is the inheritance of China's long culture. At the same time, it is also a clear view of promoting Chinese culture as a powerful means. The purpose of this paper is to better integrate the Chinese classical decorative elements into the design of modern space in order to enhance the cultural connotation of space. In order to expand the influence of Chinese style, achieve the purpose of promoting Chinese traditional culture. The main body of the thesis is divided into five parts:. In the first chapter, the purpose and significance of the research, the research status and development trend of the similar subjects at home and abroad are introduced, and the main content is introduced through the brief analysis of the modern Chinese style design thought. And this as the research background of the full text. The second chapter firstly introduces the form and content of Chinese classical architectural decoration elements in two sections. In the third section, it summarizes the evolution law of Chinese classical decorative elements through the analysis of examples. The third chapter is the focus of the paper, on the basis of the analysis of the previous chapters, through a large number of examples, it discusses the main forms of Chinese classical decorative elements in modern interior design. According to the phenomenon of imitating wood frame to outdoor interior decoration elements, this paper summarizes the construction method of Chinese artistic conception. Chapter 4th compares the mixing phenomenon with the Chinese classical decoration elements in postmodern design. This paper expounds the characteristics and functions of its development in the field of modern fashion design, and calls for the sustainable treatment of this development phenomenon. At the same time, it reveals the dialectical relationship between the form and function of Chinese classical decorative elements in the course of evolution. Chapter 5th concludes that the application of Chinese classical decorative elements in modern interior design is the inheritance of China's long culture and a powerful means of popularizing Chinese culture.
【学位授予单位】：沈阳建筑大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525

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