论装饰的基本特征

发布时间：2018-02-27 05:36

本文关键词： 装饰纹样表现内容装饰物装饰性浮世绘整体关系绘画审美内涵屏风折扇　出处：《美术观察》2005年06期 　论文类型：期刊论文

【摘要】：正一、内容的“片面性”所有的装饰都为其所装饰的事物所限定。在此限定之下,装饰的表现内容必然不具有自身的完整性,否则就会破坏装饰与被装饰物的整体关系。而一旦这种装饰内容的“片面性”不断扩大,它作为装饰的性质也就不存在了。常见的例子是希腊的瓶画和朝鲜的折扇画,它们本来都是陶瓶和折扇上的装饰,但由于它们都表达了完整的情节,后来就成了一种独立的绘画体裁。日本的浮世绘也同样如此,它最初是屏风的装饰,随着专业画师不断参与绘制,浮世绘在表现内容上越来越具体,这使它不再是屏风的装饰而成了一种脱离屏风存在的绘画体裁。这就是说,装饰在内容上都具有片面性。一方面,这种片面性来自被装饰物功能的限制,装饰如果依附于一件实用品,就必须受到
[Abstract]:First, the "one-sidedness" of the content is defined by the things it adorns. Under this limitation, the expressive content of the decoration must not have its own integrity. Otherwise, it will destroy the whole relationship between the decoration and the ornamented object. But once the "one-sidedness" of the decoration content expands, the nature of the decoration will not exist. The common examples are the bottle painting in Greece and the folding fan painting in North Korea. They were originally decorated on pottery bottles and folding fans, but because they all expressed the complete plot, they became an independent style of painting. The same was true of the Japanese picturesque, which was originally a screen decoration. As the professional painters continue to participate in drawing, the incarnation becomes more and more specific, which makes it no longer the decoration of the screen and becomes a genre of painting which is not the screen. Decoration is one-sidedness in content. On the one hand, this one-sidedness comes from the restriction of the function of the ornamented object. If the decoration is attached to a practical product, it must be subjected to
【作者单位】：浙江科技学院艺术设计系
【分类号】：J505

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