新疆英吉沙小刀造型工艺与装饰特征研究

发布时间：2018-02-27 12:55

本文关键词： 英吉沙小刀造型工艺装饰特征　出处：《新疆师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：金属工艺是人类科技发展史上的一项重要发明，在不同国度或在同一国度的不同地域，呈现出不同的文脉特征，由此构成各国金属工艺的多样性。新疆英吉沙小刀具有浓郁的民族文化特征，是维吾尔族最具代表性的手工文化之一，也是新疆金属工艺中的重要组成部分。通过新疆英吉沙小刀造型工艺与装饰特征的基础性研究对新疆民间传统工艺文化体系的研究可以提供一定的参考价值，有助于理解维吾尔族传统文化因素及其艺术审美价值，从而对维吾尔族民间传统手工艺文化有更深的认知。论文以新疆英吉沙小刀造型工艺与装饰特征为研究对象，通过收集资料法、调研访谈法、比较分析法对英吉沙小刀造型工艺与装饰特征的相关背景、制作工艺、装饰部位、装饰纹样等进行了详细的归类分析，并在此基础上，结合相关图片资料以及史料，对英吉沙小刀造型和装饰中所蕴含的多元文化因子，进行了逐层深入的研究。文章主要分为五个章节，第一章，绪论，对新疆英吉沙小刀造型工艺与装饰特征的研究背景、文献、研究方法以及研究的创新点与不足之处做了介绍。第二章，通过对喀什英吉沙县特殊的地理历史因素，探讨英吉沙小刀造型工艺与装饰特征背后地理条件因素及深厚的历史文化概况。第三章，对新疆英吉沙小刀的造型种类、制作流程及工艺做一定的介绍。第四章，主要从装饰部位、装饰纹样、装饰布局和装饰色彩四个方面阐述新疆英吉沙小刀的装饰特征。第五章，分为两部分，先以图表对比的直观方式显示出新疆英吉沙小刀区别于藏刀、蒙古刀和大马士革刀体系的独特性，然后从新疆考古文物铜刀剑造型、新疆古佛寺供养人的匕首造型等方面，探析英吉沙小刀造型与装饰的多元文化特征。通过对新疆英吉沙小刀的造型工艺与装饰特征的基础性研究，得出结论：新疆英吉沙小刀是新疆独特的地理环境和人文历史的产物，它的存在与发展与维吾尔族的传统文化相适应，其造型、装饰及制作工艺呈现出多元文化相互交融的特征，并在长期的发展中，形成了谙合着民族审美取向和文化艺术价值的独特的风格。本文期望此研究有助于理解新疆维吾尔族文化艺术价值，提升人们对维吾尔族民间传统手工艺文化的认知，，为新疆民间传统手工艺文化体系的研究尽微薄之力。
[Abstract]:Metal technology is an important invention in the history of the development of human science and technology. It presents different cultural features in different countries or in different regions of the same country. This constitutes the diversity of metal craftsmanship in various countries. The Ingisha knife in Xinjiang is one of the most representative handicraft cultures of the Uygur people because of its strong national cultural characteristics. It is also an important part of Xinjiang metal craftsmanship. Through the basic research on the modeling technology and decorative features of Xinjiang Yingjisha knife, it can provide some reference value for the study of Xinjiang folk traditional craft culture system. It is helpful to understand the factors of Uygur traditional culture and its artistic aesthetic value, so as to have a deeper understanding of Uygur folk traditional handicraft culture. This paper takes the modeling technology and decorative features of Yingjisha knife in Xinjiang as the research object, through collecting data, investigating and interviewing, comparing and analyzing the related background, making technology and decoration position of Yingjisha knife modeling technology and decoration feature. On the basis of the detailed classification and analysis of decorative patterns, combining with the relevant picture materials and historical materials, the multi-cultural factors contained in the modeling and decoration of Ingisha knife are studied layer by layer. The article is mainly divided into five chapters. Chapter one, introduction, introduces the research background, literature, research methods, innovation and deficiency of the modeling technology and decoration characteristics of Yingjisha knife in Xinjiang. Based on the special geographical historical factors of Yingjisha County, this paper discusses the geographical conditions and profound historical and cultural conditions behind the modeling process and decoration features of Yingjisha knife in Kashi County. Chapter three, the types of modeling of Yingjisha knife in Xinjiang, are discussed. The production process and technology are introduced. Chapter 4th, mainly from the decorative parts, decorative patterns, decorative layout and decorative color four aspects of the decorative characteristics of Xinjiang Yingjisha knife. 5th chapter, divided into two parts, First of all, it shows the uniqueness of Xinjiang Yingjisha knife, which is different from Tibetan knife, Mongolian knife and Damascus knife system, and then from the aspects of bronze sword modeling of Xinjiang archaeological relics, the dagger modeling of the ancient Buddhist temple in Xinjiang, and so on. This paper explores the multi-cultural features of the shape and decoration of Ingisha knife. Based on the basic research on the modeling technology and decorative features of the Yingjisha knife in Xinjiang, it is concluded that the Yingjisha knife is the product of Xinjiang's unique geographical environment and humanistic history. Its existence and development adapt to the traditional culture of Uygur nationality, and its modeling, decoration and production technology show the characteristics of multi-culture intermingling, and in the long-term development, Formed a unique style of understanding of national aesthetic orientation and cultural and artistic values. This paper hopes that this study will help to understand the cultural and artistic value of Uygur nationality in Xinjiang, promote people's cognition of Uygur folk traditional handicraft culture, and contribute to the study of Xinjiang folk traditional handicraft culture system.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J526

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