现代抽象图形在传统青花瓷器中的体现

发布时间：2018-02-28 04:03

本文关键词： 现代抽象图形传统青花器形体现　出处：《中国陶瓷》2013年10期 　论文类型：期刊论文

【摘要】：青花是我国历史最悠久的瓷器装饰艺术品,是具有独特民族韵味一种艺术载体。现代青花图形艺术应该是对传统青花艺术的延续、发展和升华,现代青花瓷器无论是在装饰手法以及其图形形式都倾向于当代审美、欣赏以及应用的多元化的需求方向进行创新,创作意识和审美观念都充分体现了现代人的观念特征。传统青花器形与现代抽象图形的融合使得青花瓷器在应用、欣赏等领域得以拓展,当代的艺术形式、艺术语言在继承传统的基础上得以充分展现。传统装饰艺术文化与当代艺术图形文化进行继承性的发掘,创造一种既符合现代设计审美意识又具有独特民族韵味的现代青花装饰艺术语言。
[Abstract]:Blue and white flower is the oldest porcelain decorative art in our country, and it is a kind of artistic carrier with unique national charm. Modern blue and white art should be a continuation, development and sublimation of traditional blue and white art. Modern blue-and-white porcelain, both in decoration techniques and in its graphic form, tends to innovate in the diverse demand directions of contemporary aesthetics, appreciation and application. The combination of traditional blue and white ware and modern abstract graphics has expanded the application and appreciation of blue and white porcelain in the fields of application and appreciation. The artistic language can be fully displayed on the basis of inheriting the tradition. The traditional decorative art culture and the contemporary art graphic culture are excavated in succession. To create a modern blue and white decorative art language which not only conforms to the aesthetic consciousness of modern design but also has a unique national flavor.
【作者单位】：广州大学美术与设计学院;
【分类号】：TQ174.1

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