装饰艺术与后现代主义设计的风格比较研究

发布时间：2018-03-06 14:22

本文选题：装饰艺术　切入点：后现代主义　出处：《武汉理工大学》2005年硕士论文　论文类型：学位论文

【摘要】：设计风格体现在我们面前是一种直观的形式、一种特征。现代设计活动的发展与大体轮廓,常常体现为各种设计理念和设计流派的演化、更迭、交替与转换。正是这些理念与流派的变化,促进了设计范畴、设计形态、设计形式、设计语言、设计风格以及设计文化、设计美学的发展,并在相当一段时间内成为设计主流风格倾向,是不同类型的设计在同一理念的引导下具有某种共同的语义特征。造型只是设计的一个表达方式,这一方式的背后涉及到各方面的制约条件,原因是多方面的。不同的政治经济形态、生产方式、社会文化及传统、民族、地域特点等促使理念与思潮的形成。概括起来主要有消费者、科技发展、艺术流派、社会变革等因素。只有理清这些因素才能从根本上理清造型问题。这样我们的设计才是真正的来源于生活,我们的设计才不是闭门造车。风格是设计成熟的标志,是一个系统,它由上述几个因素制约着。它协调统一着系统内部的各个因素,同时又与其它的风格系统进行着区别。本次论文所要研究的内容就是通过对现代设计史上装饰艺术和后现代主义两种设计风格进行比较研究,从制约风格产生,发展的几个因素出发,系统地分析这两种风格的异同。研究的成果是找出了两种风格在设计装饰方面一些相似的规律,其中的重点是消费者因素,即人的需求与经济的发展。人们对设计有不同角度的看法,如设计来源于生活;设计使生活美学化;设计以人为本;设计使我们的世界秩序化;设计是对人的关爱……。和人们的不同世界观一样,对设计的理解和体会也不相同,表现在我们面前的就是不同的风格。
[Abstract]:The design style is an intuitive form and a feature in front of us.
The development of modern design and outline, often reflects the evolution of various design concepts and design styles change, alternating with the conversion. It is these changes in concept and genre, promote the design category, design patterns, design form, design language, design style and design culture, the development of design aesthetics, and become the design of the mainstream style in a considerable period of time, is the common semantic features a guide design of different types in the same concept.
The design of the shape is only a means of expression, behind this approach involves the restrictive conditions of various aspects, for many reasons. The different political and economic form, mode of production, social and cultural traditions, ethnic, geographical features form these concepts and thoughts. Summarized the consumers, mainly to the development of science and technology. School of art, social change and other factors. Only clarify these factors in order to fundamentally clarify the other problem. So we design is really from life, our design is not behind closed doors.
Style is the symbol of design maturity. It is a system, which is restricted by the above factors. It coordinates and harmonizes all factors inside the system, and at the same time, it is different from other style systems.
A comparative study of this thesis is to study the content is based on two kinds of design style of modern design history, decorative art and postmodernism, resulting from the restriction of style, several factors of development, systematic analysis of similarities and differences of the two styles. The research is to find out the two styles of some similar rules in a decorative design, which is the focus of consumer demand and economic factors, namely the development of human.
People have different views on the design point of view, such as the design comes from life; designed to make life aesthetics; people-oriented design; design makes our world order; the design is different. The world of human love and people's view, understanding to design is not the same, in front of us is different style.

【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J505

【引证文献】