视觉平衡视角下的清末女装装饰艺术

发布时间：2018-03-08 06:08

本文选题：视觉平衡　切入点：清末女装　出处：《丝绸》2015年03期 　论文类型：期刊论文

【摘要】：通过对江南大学传习馆大量清末女装实物和历史资料进行分析,总结了清末女装装饰艺术的四个特征:装饰位置的"包围"化、装饰图案的"团状"式样、装饰色彩的"和谐"醒目感和装饰形式的"对称重复"性,这些特征反映出装饰艺术"以和为美"的精神气韵,且具有视觉平衡属性。以视觉平衡理论作为指导,从视觉重力感和方向感为切入点,可以找到不同装饰单元关系及组合形态间的平衡表达方式,揭开清末女装装饰艺术崭新的一面,带给读者不同的视觉心理感受,为服饰装饰艺术发展提供一定的参考和启示。
[Abstract]:Based on the analysis of a large number of material and historical materials of women's clothing in the late Qing Dynasty, the paper summarizes the four characteristics of the decorative art of women's clothing in the late Qing Dynasty: the "encircling" of the decorative position and the "regiment" style of the decorative patterns. The striking sense of "harmony" of decorative colors and the "symmetrical repetition" of decorative forms reflect the spirit of "harmony for beauty" in decorative art, and have the attributes of visual balance, which are guided by the theory of visual balance. From the perspective of visual gravity and orientation, we can find out the balance expression between different decorative units and combination forms, uncover the brand-new side of the decorative art of women's clothing in the late Qing Dynasty, and bring different visual psychological feelings to the readers. For the clothing decoration art development to provide certain reference and inspiration.
【作者单位】：江南大学纺织服装学院;
【基金】：教育部人文社会科学规划项目(11YJA760090)
【分类号】：TS941.1

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