清中期宫廷花鸟画风对粉彩花鸟装饰的影响

发布时间：2018-03-11 11:36

本文选题：清中期　切入点：粉彩　出处：《陶瓷学报》2016年03期 　论文类型：期刊论文

【摘要】：粉彩的产生背景具有一定的特殊性,其工艺基础源于康熙五彩及珐琅彩,装饰形态及风格则同时继承了康熙、雍正、乾隆时期的宫廷花鸟画的特征;加之这一时期的宫廷画种流派多样,并汇聚了本土与西洋的绘画技法特点,因此粉彩是一种文化复合的产物。论文对清中期宫廷花鸟画的风格特点进行分析,来阐释其对粉彩花鸟装饰形态的影响。
[Abstract]:The background of pink color has certain particularity, its craft foundation originates from Kangxi multicolor and enamel color, the decorative form and style also inherit the characteristics of the court flower and bird painting of Kangxi, Yongzheng and Qianlong period. In addition, there are various genres of court paintings in this period, and the characteristics of local and Western painting techniques are converged. Therefore, pink color is a product of cultural compound. This paper analyzes the style characteristics of flower-and-bird paintings at court in the middle period of the Qing Dynasty. To explain its effect on the decorative form of pink flowers and birds.
【作者单位】：景德镇陶瓷大学;
【分类号】：J527

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