谈谈古今传统粉彩陶瓷艺术

发布时间：2018-03-11 20:00

本文选题：粉彩瓷　切入点：康熙朝　出处：《景德镇陶瓷》2014年02期 　论文类型：期刊论文

【摘要】：正粉彩瓷装饰是通过在白胎瓷器上绘制的艺术形象来表现出一个时代的生活,具有强烈的时代气息。清代康熙朝粉彩瓷就开始流行,演绎至今,表现了强烈的时代特征,清康熙、雍正、乾隆将粉彩瓷的装饰艺术推到了一个鼎盛时期。清末民初,一批有国画修养的文人墨客进入景德镇,大大影响了当时的陶瓷传统绘画,其后陶瓷绘画工作者更加注重以中国画的形式入画。如老艺术家万仁保的《声报三秋晓》粉彩瓷板画,运用中国画形式构图,画面绘一棵粗大的梧桐树,从左侧斜出伸向画外,树后一丛月季,几竿竹枝疏斜穿插。树下雄鸡,或挺胸昂立,或低头啄食,或向前奔跑,生动而富有情趣。右下角的小草坡上几块石头,几株野花,扩展了画面的空间,从中也可以看出作者观察生活非常仔细。
[Abstract]:Pink porcelain decoration shows the life of an era through the artistic image drawn on the white tyre porcelain, and has a strong flavor of the times. In the Qing Dynasty, Kangxi Pink porcelain began to be popular and has shown strong characteristics of the times up to now. In the Qing Dynasty, Kangxi, Yongzheng and Qianlong pushed the decorative art of pink colored porcelain to its peak. At the end of the Qing Dynasty and the beginning of the Republic of China, a group of literati with the cultivation of traditional Chinese painting entered Jingdezhen, which greatly influenced the traditional ceramic painting at that time. Since then, ceramic painters have paid more attention to painting in the form of Chinese painting. For example, the old artist Wan Renbao's "three Autumn Xiao" painted by the old artist, the Pink porcelain Board painting, used the form of Chinese painting to compose the picture, and the screen painted a thick sycamore tree, which was slanted out of the painting from the left side. Behind the tree a cluster of rose, a few poles and bamboo branches thinly interspersed. Under the tree rooster, or erect chest, or pecking down, or running forward, vivid and interesting. The lower right corner of the grass slope on a few stones, a few wild flowers, expanded the space of the picture, It can also be seen that the author observes life very carefully.
【分类号】：J527

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