新疆喀什维吾尔族镶嵌工艺花木箱的装饰特征研究

发布时间：2018-03-20 21:49

本文选题：新疆维吾尔族镶嵌工艺花木箱　切入点：装饰特征　出处：《新疆师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：新疆喀什维吾尔族镶嵌工艺花木箱是新疆维吾尔族传统的手工艺品，也是新疆维吾尔族特有的日常生活用品。但目前所见资料仅停留在对新疆喀什维吾尔族镶嵌工艺花木箱的简单认识，而对其装饰特征却没有详细的研究。因此本文以此为出发点对新疆喀什维吾尔族镶嵌工艺花木箱的装饰特征进行基础性研究，并试图在此研究基础上，对新疆喀什维吾尔族镶嵌工艺花木箱与新疆其他地区维吾尔族镶嵌工艺花木箱的装饰特征进行比较，从而拓宽研究的整体视野，使本文具有一定的研究意义，也对新疆工艺美术基础研究提供一定的资料。本文以新疆喀什维吾尔族镶嵌工艺花木箱的装饰特征为主要研究对象，通过对笔者所搜集到的新疆不同地区花木箱的第一手资料按地域、制作工艺等进行归纳整理与分类；及对现有新疆各地区维吾尔族不同种类花木箱的制作工艺进行系统性介绍；再着重对新疆喀什维吾尔族镶嵌工艺花木箱的装饰特征进行具体分析的基础上；将新疆喀什维吾尔族镶嵌工艺花木箱与新疆其他地区维吾尔族镶嵌工艺花木箱的艺术特征进行比较分析和研究，寻求其中的异同。论文共分为五章；第一章为绪论部分；第二章主要对新疆维吾尔族镶嵌工艺花木箱的相关背景做一整理，对花木箱三种来源进行梳理，着重对三种来源说中的俄罗斯来源说做详细梳理，寻找新疆喀什维吾尔族镶嵌工艺花木箱与笔者所搜集的俄罗斯镶嵌工艺花木箱之间关系；第三章介绍笔者搜集到的新疆维吾尔族花木箱的种类与制作工艺，重点对新疆喀什维吾尔族镶嵌工艺花木箱制作工艺进行梳理，为第五章新疆喀什维吾尔族镶嵌工艺花木箱与其它地区不同工艺花木箱的比较做一铺垫；第四章主要对新疆喀什维吾尔族镶嵌工艺花木箱的装饰特征进行研究，得出新疆喀什维吾尔族镶嵌工艺花木箱的装饰主要分布在箱盖和箱体，并对析出的装饰纹样进行分析归纳，以最直接的视觉方式呈现出其特有的装饰特征；第五章通过对新疆喀什维吾尔族镶嵌工艺花木箱与新疆其他地区各种工艺花木箱的比较，可以看出不同地区的维吾尔族花木箱，其制作工艺、制作流程及装饰纹样均有不同，从而形成不同环境下的维吾尔族花木箱独特的艺术特色，，而新疆喀什维吾尔族镶嵌工艺花木箱的装饰更为理性抽象。通过以上的分析和研究可以得出：新疆喀什维吾尔族镶嵌工艺花木箱很可能是由俄罗斯花木箱演变而来，虽然两者在形制及装饰特征上有一定的异同，但从整体艺术特征来看，两者仍旧有很多相似之处；且新疆喀什维吾尔族镶嵌工艺花木箱在长期的发展中，已形成了自身特有的艺术风格，绽放出独特的艺术魅力，在新疆民间工艺美术中具有一定的文化与艺术价值。
[Abstract]:Xinjiang Kashi Uygur mosaic craft flower wooden box is the Xinjiang Uygur traditional handicraft, It is also a special daily necessities for Uygur people in Xinjiang. But at present, the information we see is only a simple understanding of the inlaid wooden boxes of Xinjiang Kashi Uygur people's mosaics. However, there is no detailed study on its decorative characteristics. Therefore, this paper takes this as the starting point to carry on the basic research on the decorative characteristics of the inlaid wooden boxes of the Uygur inlaid craftwork in Xinjiang, and attempts to study on the basis of this research. This paper compares the decorative characteristics of flower wooden boxes of Uygur mosaics between Xinjiang Kashi and other Uygur regions in Xinjiang, so as to broaden the whole field of study and make this paper have certain research significance. It also provides some information for the basic research of Xinjiang arts and crafts. In this paper, the decorative characteristics of the mosaic wooden boxes of Kashi Uygur nationality in Xinjiang are taken as the main research objects, and the first-hand data of the wooden boxes in different regions of Xinjiang are summarized and sorted according to the region, the making technology and so on. This paper systematically introduces the making technology of different kinds of flower wooden boxes of Uygur nationality in various regions of Xinjiang, and emphasizes on the decorative characteristics of flower wooden boxes of Uygur mosaics in Kashi, Xinjiang, on the basis of the detailed analysis of the decorative characteristics of flower wooden boxes in various regions of Xinjiang. This paper compares the artistic characteristics of the flower wooden boxes of Uygur mosaics in Xinjiang Kashi and other Uygur regions of Xinjiang, and seeks for the similarities and differences between them. The paper is divided into five chapters; the first chapter is the introduction part; the second chapter is to sort out the related background of Xinjiang Uygur mosaic craft flower wooden box, and comb the three sources of flower wooden box. Focusing on the three sources of the Russian origin theory in detail to find out the Xinjiang Kashgar Uygur mosaic craft flower box and the author collected by the Russian mosaic flower box relationship; In the third chapter, the author introduces the types and manufacturing techniques of the Uygur flower boxes collected by the author, especially combing the mosaic technology of the Xinjiang Kashi Uygur nationality. The paper paves the way for 5th chapters on the comparison of flower boxes of Xinjiang Kashi Uygur mosaic craft with other regions, 4th chapter mainly studies the decorative characteristics of Xinjiang Kashi Uygur mosaic craft flower wooden boxes. It is concluded that the decoration of Uygur mosaics in Xinjiang Kashi Uygur is mainly distributed in the box cover and box body, and the decorative patterns are analyzed and summarized, showing its unique decorative characteristics in the most direct visual way. In chapter 5th, through the comparison between the inlaid wooden boxes of Uygur inlaid craftsmanship in Xinjiang Kashi and other regions of Xinjiang, we can see that the Uygur flower boxes in different areas have different production techniques, making processes and decorative patterns. Thus, the unique artistic features of Uygur flower wooden boxes are formed in different environments, while the decoration of Xinjiang Kashi Uygur mosaic flower wooden boxes is more rational and abstract. Through the above analysis and research, it can be concluded that the mosaic wooden boxes of Kashi Uygur nationality in Xinjiang may have evolved from Russian flower wooden boxes, although there are certain similarities and differences between the two in shape and decorative characteristics. But from the overall artistic characteristics, the two still have many similarities; and in the long-term development of Xinjiang Kashi Uygur mosaic craftsmanship wooden box, has formed its own unique artistic style, blooming out a unique artistic charm, Xinjiang folk arts and crafts have a certain cultural and artistic value.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS938

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