明清时期隆昌青石雕刻装饰艺术研究

发布时间：2018-03-23 22:36

本文选题：隆昌　切入点：青石雕刻　出处：《重庆大学》2010年硕士论文

【摘要】： 明清时期隆昌青石雕刻装饰艺术作为一种造型形态和一种具有独立审美特征的艺术形式是通过将装饰符号和装饰表现,材料工艺融会与一体的综合视觉艺术形式;它以秩序化、规律化、程式化为要求,改变和美化事物,形成合乎民间工艺审美需要与人们审美理想相统一,相和谐的艺术形态。本文对现存明清时期隆昌青石雕刻的石牌坊、石碑、生活器具上的装饰图形进行实地调查研究;从地处西南的隆昌石雕文化基础、被装饰类型、装饰形式、以及装饰艺术的审美特征和美学意蕴进行系统整理和深度挖掘。以弘扬中华民族民间艺术精髓,促进我国当代民间装饰艺术的转化消融和繁荣发展有很重要的现实意义。全文站在装饰艺术的学科视野,结合符号学、设计学、诠释学、美学、社会学、民俗学等多维角度进行跨学科的装饰艺术形式研究,系统分析明清时期隆昌青石雕刻装饰艺术的工艺特点,为现代设计创作提供可兹借鉴的美学艺术价值体现。明清时期隆昌青石雕刻装饰的艺术形式美,集中的体现了明清时期那些不知名民间艺人工匠的集体智慧,他们自如地运用渐变、重复、对比、韵律、平衡、组合、分割等等构成艺术形的装饰手段。时至今日来看,我们仍然被它们所展示的装饰艺术魅力所深深叹服和感到震撼。这些人类心灵审美情感物化的艺术呈现具有很高的学术研究价值,历经数百年的历史检验,魅力依然,无论在造型设计还是材料选择以及在图案装饰上都具备了很高的艺术审美价值和社会文化价值;也成为我们在现代图案装饰设计运用上的典范。
[Abstract]:In the Ming and Qing dynasties, Longchang Qingshi carving and decoration art, as a form of modeling and an art form with independent aesthetic characteristics, is a comprehensive visual art form, which integrates the decorative symbols and decorative expressions, materials and crafts, and integrates with one another. In order to change and beautify things and form a harmonious artistic form which conforms to the aesthetic needs of folk craft and people's aesthetic ideal, this paper deals with the stone archways and stone tablets of Longchang Qingshi carving in Ming and Qing dynasties. From the cultural foundation of Longchang stone carving, which is located in the southwest, the decorative type, decoration form, And the aesthetic characteristics and aesthetic implication of decorative art are systematically sorted out and deeply excavated in order to carry forward the essence of Chinese folk art, It is of great practical significance to promote the transformation and prosperous development of contemporary folk decorative art in China. The full text stands in the field of the subject of decorative art, combining semiotics, design, hermeneutics, aesthetics, sociology, etc. From the perspective of folklore and other multidimensional perspectives, this paper studies the interdisciplinary decorative art forms, and systematically analyzes the technological characteristics of the decorative art of Qingshi carving in Longchang during the Ming and Qing dynasties. The artistic form beauty of Longchang Qingshi carving decoration in the Ming and Qing dynasties embodies the collective wisdom of the artisans of the unknown folk artists in the Ming and Qing dynasties. They freely apply the decorative means of gradual change, repetition, contrast, rhythm, balance, combination, segmentation, etc. To this day, We are still deeply impressed and shocked by the charm of the decorative art that they show. The art of materializing the aesthetic feelings of the human mind is of great academic value, and after hundreds of years of historical testing, the charm is still there. Both in the modeling design and material selection as well as in the pattern decoration has a very high artistic aesthetic value and social and cultural value, but also become our model in the application of modern pattern decoration design.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J314.3

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